The Teaching Of Ancient Chinese Poetry As A Foreign Language From The Perspective Of The Integration Of Poetry And Painting

Classical poetry is an important part of Chinese traditional culture and an indispensable cultural carrier in China’s foreign exchanges.Poetry is the art of time,while painting is the art of space.The two interpenetrate into each other and become the art of "uniform poetry and painting".The poet observes the natural scenery through the eyes of the painter,and the painter depicts the landscape with the talent of the poet,so that the aesthetic value of "feeling" and "form" is identical.Poems and Paintings of Tang Dynasty is an obvious representative of this aesthetic experience,which provides an important reference for the teaching and foreign exchange of modern and contemporary classical poetry.Starting from the text of "Poems and Paintings of Tang Dynasty",this paper combs and analyzes the relationship between "poetry" and "painting",and explores the help of "painting" to the cognition and understanding of"poetry",the aesthetic taste and the feeling of artistic conception,so as to express it in the teaching design with examples.The introduction mainly includes the research background,research content and innovation,domestic and foreign research trends,etc.,systematically explains the research basis,content framework,research status quo,etc.The first chapter is about the"uniform of poetry and painting" and the image presentation of classical poetry and prose,including the connotation of the uniform of poetry and painting,the completion of the uniform of poetry and painting,and the image presentation of classical poetry,which systematically presents the cultural tradition of "uniform of poetry and painting".The second chapter mainly discusses the edition and its classical value,including the edition,the reason for the prevalence of copying,the value and the limitation of the Poem and Painting of Tang Dynasty Book;The third chapter mainly discusses the enlightenment of the compilation characteristics of Poems and Paintings of Tang Dynasty on the selection of foreign ancient poetry teaching titles,including the characteristics of rich painting,easy to understand and full of features,intuitive understanding,close to life,which provides a certain discourse path for the traditional ancient poetry education in the new era;The fourth chapter mainly in teaching ancient Chinese painting of tang poem "as an example of a design as the main content,reflected in the tang dynasty Chinese painting expression way of learning and absorbing,mainly including foreign classical poetry teaching strategy,teaching plan design,the picture in the application of classical poetry teaching,etc.,which also cited wang wei in the design of teaching plan" Zhu Li pavilion ",Liu Changqing "every night at lotus mountain snow master",du fu,"cottage by the autumn wind to break the song" and so on.It is of great significance for reproducing the value of classical texts,rebuilding the symbols of "poetry" and "painting",and constructing the discourse power of classical poetry to grasp the origin of"unity of poetry and painting",the value implication of "Tang Poems and Paintings",and the innovative design by means of images in the communication of contemporary Chinese ancient poetry as a foreign language.