From Su Chuo To Wang Tong:the Pattern Of Literature In The Northern And Sui Dynasties And Its Developing Tendency

What is pattern?First of all,from the point of etymology,"Ge" in Duan Yucai’s "Shuowen Jie Zi Note" is explained as "the long wood,the original meaning of Ge." By extension,it must come where it grows."Bureau" in "Shuo Wen Jie Zi" is explained as: "promote.From the mouth under the ruler,the bureau.Or it could be interpreted as broad,play chess." The word "pattern" is explained in "Chinese Dictionary" in two kinds: one is the pattern and the bureau designated by the fortune-manager.Structure and format can also be understood as situation,situation.The literary pattern discussed in this paper is closer to the second interpretation.Wang guowei in "the history of the song and yuan opera sequence," said: "every generation has a generation of literature",an era of sounds is a macroscopic literary pattern,but it is by this time a lot of writers,literary activities,stylistics and literary theory of micro factors reflect,literature pattern is the concentrated reflection of these elements.On the basis of comprehending the development of literature in this historical period,the author combs the development and evolution of the literary pattern in this historical period.The first chapter focuses on grasping the overall historical background and ideological characteristics,so it is necessary to briefly explain the literature pattern before the Northern Dynasty.The first is to sort out the development of literature since the last years of the Eastern Han Dynasty,that is,from the Wei Dynasty to the Western Jin Dynasty,highlighting the development pattern of the differentiation of literature between the North and the South formed under the antagonistic situation of the Southern and Northern Dynasties after the Yongjia Rebellion.The second chapter discusses the influence and value of the reform carried out by Su Chuo and Yu Wentai from various aspects in order to revitalize the economy and culture of Guanzhong region and compete with the Northern Qi and the Southern Liang under the background that the trend of the south was spreading to the north and the orthodox position of the Northern Confucian classics was being shaken.The third chapter mainly introduces the influence of the reform of style and style promoted by Yuwentai and Su Chuo and the literary pattern at that time.As a matter of fact,with yu xin,wang bao and other scholars of the southern dynasty going to the north one after another after the disaster of jiangling,the influence of the southern literary style on the cultural communication of the northern dynasty was even greater than before,for which the northern zhou and the northern qi even set up special literary houses for literature exchange,and the northern dynasty literature at this time inevitably presented the trend of the southern dynasty.The fourth chapter focuses on the investigation of how the rulers of the Southern Dynasty found the balance in the face of the integration of different styles of writing under the unified historical environment after the entry of Sui Dynasty.The rulers of the early Sui Dynasty inherited the cultural policy of the Northern Zhou and actively carried out the reform.In the reign of Emperor Yang of the Sui Dynasty,the Jiangnan literati were re-used,making the style of writing revert to a parallel style.Therefore,Wang Tong’s literary thought came into being,which advocated "pursuing Taoism and economic righteousness" and abdication of levity.In the last part,the author mainly discusses the similarities and historical influence of Su Chuo’s and Wang Tong’s literary ideas,which are of great significance to the later literature,especially the literature of the Tang Dynasty.