| Tibetan culture and art have a long history and a long history.Tibetan dance is rich and diverse,each dance has its own value,and Tibetan dance has mutual reflection and interdependence influence with regional culture,historical culture and other aspects.The " Guo xie " dance in Tibetan dance is one of the ancient and long-standing dance types of Tibetan,and also an important part of Tibetan folk dance,and has its own unique charm and glowing.Tibetan folk dance in Lhasa city is a kind of dance culture and art with the characteristics of two-way,sharing,universality,fitness and self entertainment among the masses.This paper makes clear the content and way of transmission of " Guo xie " in the north of Tibet from the perspective of communication,which is conducive to improving the efficiency of dance communication,enhancing the confidence of ethnic culture and inheriting and developing excellent traditional culture.The simultaneous interpreting of " Guo xie " in Lhasa is mainly discussed in this paper.As the research point of this thesis,Lhasa city’s " Guo xie " dance team in Zong jiaolu Kang Park is the research object of this thesis.The research and dissemination of this area are carried out in different aspects,and the dissemination of " Guo xie " in Lhasa City area and the contents and channels of dissemination are also discussed.The paper collected literature and field investigation and investigation comprehensively,combined with dance,communication,field observation and participating observation.The communication method and content of " Guo xie " in Lhasa City in northern Tibet were taken as the focus to reflect the significance and value of " Guo xie " in Lhasa City,and the content of "Guo xie " in the northern Tibetan area of Lhasa The research broadens the research ideas and research perspective.This paper consists of three parts: introduction,text and conclusion.The introduction mainly discusses the background and source of the topic,the significance and purpose of the topic,and the research status at home and abroad.The text consists of three chapters.The first chapter takes the historical origin,appellation and dance formation of " Guo xie " in northern Tibet as the object of elaboration,combs the history of " Guo xie " in northern Tibet,summarizes the style characteristics and rhythm of " Guo xie " in northern Tibet as a whole,and further understands " Guo xie " in northern Tibet.The second chapter is the core chapter of this paper,mainly from the field of Zongjiao Lukang Park,to explore how the " Guo xie " dance in northern Tibet Spread develops in this field,what are the similarities and differences with the origin,and explore the value meaning it brings to people from the perspective of communication.The third chapter discusses the communication significance and development trend of " Guo xie " in northern Tibet in Lhasa city.It reflects the cultural connotation of " Guo xie " in northern Tibet from the perspective of communication,art anthropology and dance science,and shows the development trend of " Guo xie " in northern Tibet in the future.Through the communication significance and development trend in Lhasa City,it puts forward and makes suggestions on Inheritance and protection to present the cultural connotation of " Guo xie " in northern Tibet The significance of the times and cultural heritage of " Guo xie " in North China.From the perspective of communication,this paper analyzes the historical development,dance style characteristics,value embodiment and the meaning brought by the spread of " Guo xie " in northern Tibet,and expounds the content and ways of the spread of " Guo xie " in Lhasa city.Combined with the dance style characteristics of the origin,this paper deeply reveals the current situation in Lhasa City,and shows its own development and spread In order to enhance the sense of national identity,traditional culture can be inherited and carried forward,which provides an example for Tibetan folk dance communication research. |
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