On The Scenery Writing In Sun Li’s Novels

The poetic style of Sun Li’s novels that blended in the scenes caused him to enter the literary world and attracted widespread attention from the academic circles.Landscape description occupies an important position in his novel creation practice,and it can even be said to be the core component of his text.At the same time,few other liberated area writers described the landscape in such a detailed manner as he did: Zhao Shuli focused his creation on the character’s words and deeds and the portrayal of rural customs;Kang Zhuo’s works occasionally involved natural scenery,and generally only outlines the whole with thick lines;Wang Lin’s "Hinterland" also describes life in central Hebei,and his landscape writing is only the environmental background in the traditional sense;the landscape in Sun Li’s works has relatively independent aesthetic value and connotation.Sun Li’s early novels were mainly based on anti-Japanese themes,but the foreground in the text is not the smoke and fire,but the blue water pond and the water chestnut.This type of landscape writing determines the overall style of Sun Li’s works.Various image elements in landscapes in different historical periods,especially those natural elements,have completely different meanings in different social environments and cultural interpretation systems.The interpretation of the meaning of Sun Li’s landscape writing lies in revealing the aesthetic elements that have long been obscured by the researcher’s experience threshold or established concepts,inspiring us to rethink and generate new understanding.Comprehensive understanding of landscape,the scope of the landscape in Sun Li’s novels to be discussed in this article includes not only natural landscapes as aesthetic significance,but also human landscapes.It is a concept that integrates humanities,regions,and nature.The poetic writing of landscape and the form of political discourse coexist harmoniously in Sun Li’s text.We can see from it what Sun Li did in the process of taking the landscape as an important element of his novels,while seeking a balance between ideology and literacy.Work hard to debug.The blending of natural scenery and subjective consciousness forms an aesthetic space with great tension in landscape writing in Sun Li’s novels.Mr.Karatani suggested that the scenery can only be discovered by "inner people" who don’t care about things outside.Sun Li’s landscape writing is a sign of the great transformation that Chinese literature has begun to approach modernity,raising human subjectivity to a certain level.The landscape in the novel is a literary product after incorporating human consciousness,and contains human thought.The creation of the landscape in the text is to reshape the modern subjectivity of man,record the history of the War of Resistance and the awakening of man’s consciousness during the historical development,and reflect the times,culture and society through the "subjectivity of the landscape" and the "landscape of the subject".The landscape in the sense of topography in Sun Li’s novels forms a cultural and geographical connection,creates a cultural nationalism that is collectively recognized by the people,and shapes their national consciousness.In essence,it is a metaphorical representation of the broader categories of revolution,culture,and politics in the context of the War of Resistance Against Japan.In the context of the war of resistance,the scenery in Sun Li’s novels carries the eagerness for literary propaganda,mobilization,and belief building.The Chinese landscape and the revolutionary discourse are homogenous and are used to replace the grand national consciousness,showing the author’s worries about the fate of the family and the country."Access" has become one of the most effective ways to shape national landscapes and construct identity.The control of road traffic rights and regional construction rights is a metaphor for Sun Li’s imagination of "breaking" and "innovating";what has been neglected in previous studies The entry of ever-changing and "non-fixed" landscapes has become a portrayal of revolutionary consciousness under collective psychology.In the unprecedentedly serious social reality of ethnic contradictions,culture,power,and political elements must be attached to the scenery.In the metaphor mechanism elaborated by Sun Li,the revolutionary discourse is cleverly blended with the Chinese scenery to establish natural rationality and legitimacy.Sex,the nationalism and nationalism permeating it are explored and understood,and finally realizes the conspiracy of reader experience with Sun Li’s creative consciousness and novel meaning.