| Edouard Vuillard(1868.11.11-1940.06.21)is a representative painter of the Nabi School in France.At present,there is still a relative lack of information about Wyart and the study of painting theory in China.The author finds that the previous studies on the art of Vyar mainly focus on the painting language,and there are relatively few case studies on the painter’s works,and more focused on artistic techniques.In this paper,the author tries to analyze the emotional origin,the way of presentation and the deep meaning behind the content of the series works of viar’s oedipus complex from the perspective of psychology and iconology,it mainly reveals the details of women’s life and eulogizes and praises the maternal culture from the emotional aspect,and sums up the artistic concept and emotional value of Wyart’s works,in order to concentrate the research results in his three years of creation.The core of this thesis is based on the works of Wyart’s "mother",through the deep understanding of the contents of the works,Wyart’s emotional presentation of art,to expand the meaning of emotion in the framework of art structure.This paper is divided into three chapters.The first chapter briefly summarizes "oedipus complex" and analyzes the origin of emotion,expounding Wyart’s background of the Times,family situation,and the influence of painting feelings on his artistic creation.The second chapter demonstrates the emotional presentation of oedipus complex in the structure of Wyart’s works from the aspects of composition,shape,color and stroke in the painting language,and further excavates the deep connotation and metaphorical meaning behind it,finally,through the work cut into the individual,national feelings,mapping the existing psychological and social problems.This chapter is the core of this thesis.In the third chapter,the author analyzes the inspiration of the emotional value and the drawing technique from the two aspects of artistic thought and drawing practice.Finally,it is the summary and induction of this thesis,including the author’s understanding of Wyart’s painting works and his experience and enlightenment in studying his painting art. |