A Study On Jiang Honghe’s Hantang Notes On Classical Poetry

Jiang Honghe’s Hantang notes on classical poetry is a masterpiece that cannot be ignored in the forest of poetry in Qing Dynasty.This research is the first specialized research on "Hantang notes on classical poetry",through the study of Jiang Honghe and "Hantang notes on classical poetry" the basic situation,poetics thought and value significance of the content,can be more complete and concentrated to show Jiang Honghe "Hantang notes on classical poetry" the overall achievement.The main body of the article is divided into seven parts:The introduction summarizes the main research content of Hantang notes on classical poetry of Jiang Honghe,the research object,and sorts out the relevant research status,as well as reveals the research significance of Hantang notes on classical poetry.The first chapter studies Jiang Honghe and "Hantang notes on classical poetry".This paper clarifies the author Jiang Honghe’s life,family background and writing situation,and studies the completion,edition,volume number and description of "Hantang notes on classical poetry".The second chapter explores the theory of poetic emotion expression.The connotation of his poetics is divided into expressing the true feelings in the expression of emotional content and emphasizing the taste and style in the requirement of artistic expression.With the help of careful analysis of poetry,we can know that expressing the true feelings is Jiang Honghe’s internal requirements for poetry conditions,that is,lyrical expression should be in line with the gentle and honest poetry teaching,only with the beauty of justice and peace;However,it does not exclude the catharsis of the true feelings,but also affirms the poems with strong artistic appeal that express the true disposition and write the true intention.In the artistic expression of poetry,the emphasis on taste and law should also avoid the disease of directness,and should include rich implication and follow strict law.The third chapter elaborates the poetic aesthetic style theory.The theory of aesthetic style holds that poetry should have both poise and strength to perfect the ideal style state of natural craftsmanship.The connotation of his poetics is composed of grace and spirit and natural skill.The grace and spirit means that the aesthetic style of poetry should include the bright and refreshing thoughts and feelings and the elegant verve,the open-minded and natural manner and spirit state,and the pleasant aesthetic experience.At the same time,it should have the character style,which is manifested as the mellow and meaningful poetic aesthetic style.The fourth chapter analyzes the aesthetic paradigm orientation in poetry evaluation.Tang poetry in Jiang Honghe mind is the existence of aesthetic paradigm significance,believe in the poetry nonesuch of Tang dynasty is his basic orientation,aesthetic paradigm in the poem remarking constituted his poetics thoughts lead,more than the other poetics thoughts derived from here,the aesthetic value orientation once established and Jiang Honghe give other dynasties poetry criticism.The fifth chapter differentiates and analyzes the origin of poetics and the theory of disposition.It can be seen that Jiang Honghe intentionally absorbed poetics nutrients from traditional thoughts such as Confucianism and Taoism,and criticized and absorbed the essence of poetics and literary theories of the past dynasties,which was a comprehensive aesthetic view of poetry evaluation formed after the introduction of the broad view.And its temperament theory is in line with the pure to the right nature of heaven and earth,and with the real activities of human spirit and soul related.The sixth chapter evaluates the value and significance of Hantang notes on classical poetry.Its value can be divided into the poetic literature value and the value of poetics,"Hantang notes on classical poetry" for the Ming and qing dynasties poetics research provides a variety of materials,such as collect variety of poetry,especially for special poetry types such as brigade stage-wall poetry,examination-room-wall poetry,planchette writing poetry,and the attention of many female poetry,Jiang Honghe showed his compassion for the middle and lower class poets and his progressive thoughts on poetry,which provided a reference for the study of qing poetry.Moreover,the poetic value of the poem itself is rich,which contains the content of the poetic thought with unique characteristics,and objectively evaluates the poetry theory,many of which are cited and studied,and also shows the independent personality of the scholars in the early Qing Dynasty.All the above show that Jiang Honghe and Hantang notes on classical poetry have their due historical status in the history of the development of poetry in the Qing Dynasty.