Documentary Narrative Research On Intangible Cultural Heritage

Intangible cultural heritage is the wisdom of the great people of the Chinese nation in the long history of the river,intangible cultural heritage is in line with the development and change of nature,is living on the land of China should jointly protect,inherit and carry forward the great spiritual wealth.The connotation of intangible cultural heritage lies in its spirituality and culture,and what we want to convey is the cultural and historical value it contains,as well as the spiritual value it confers.All the things that have evolved under the condition of deep historical background will be carried on in a unique way under the premise of historical development,using their own cultural value,artistic value and historical value,across time and region,and never stop.Facing the great changes in today’s world and the realization of building a well-off society in an all-round way,we have entered the journey of a new era.People’s lives have also undergone great changes,in the material and spiritual life is constantly enriched at the same time,but also constantly changing people’s way of life.The automation development of science and technology manufacturing industry gradually replaces the traditional handicrafts,the most important of the traditional crafts is the human skills,the origin of the craftsman’s skills can be traced back to a long history period,it is precisely because of this particularity of the craftsman has created the special nature of intangible cultural heritage.The protection of non-relict culture is not only the need to protect the craftsman so simple,but also needs to be the craftsman’s craft to be better inherited and developed.Under the influence of this environment,it has created a lot of ways to protect non-relict culture,such as the establishment of exhibition halls,the establishment of non-relict cultural crafts classes and so on,in these skills protection,the way of image preservation is the most prominent,that is,we call the feature film and intangible cultural heritage documentary category,through the way of video recording will be the best preservation of non-relict traditional culture.This approach is also one of the most complete and effective.This paper is mainly divided into three chapters to explain the subject of argumentation.The first chapter gives a brief overview of China’s intangible cultural heritage documentaries,and the second chapter combines the narrative features of intangible cultural heritage documentaries.The three aspects of documentary,reproducible,and the combination of reality and history are expounded separately,and the third chapter expounds the narrative techniques of intangible cultural heritage documentaries.With the full realization of a well-off society and the arrival of a new era,people’s spiritual and cultural life is becoming more and more abundant.Under such an external environment foundation,intangible cultural heritage documentary needs to adapt to the new era of people’s aesthetics and needs,in order to create more adapt to the new era,have a larger audience of works,as creators or recorders,in the creation of such documentaries need to grasp the scale,can not exceed a certain range of limits,and how to grasp the correct scale,is one of the difficult problems in the creation,but also I need to explore and seek the direction in the future.