Dynamic Creation And Thinking Of Chinese Portrait Dance Images

Among the researchers of Chinese portrait dance,most people devote themselves to excavating the artistic appearance of Han portrait dance from the historical data,such as Liu Qing,Liu Enbo,Wang Kefen and so on;Some people are committed to making full use of these studies to reproduce creation,such as Sun Ying,Liu Jian and so on.The main concern of this paper is the question of "dynamic connection" in the reproduction creation,that is,"the study on the way and method of dynamic dance vocabulary" by making the picture of the static towel dance of the Chinese portrait move in a relatively accurate range.In order to make this research have the double foundation of theory and practice,the author first studies the achievements of the history of towel dance.This paper makes repeated textual research on the ancient literature such as the Song of the towel Dance and the pictures of the towel dance on the stone(brick)of the Han Dynasty,and then,on the premise of keeping the characteristic of the towel dance and respecting the universal law of the development of art,makes an attempt on the reproduction of the towel dance.The experimental work is called Han Portrait towel Dance.The research value of this paper lies in: "make the picture image from the two-dimensional spatial image dance extraction,flow up and gradually evolve into a four-dimensional space with a continuous dynamic dance vocabulary,explore the development of a related action vocabulary," The experiment fills the path of reappearance of movement breakage between static movements." In this creation,the choreographer mainly adheres to the attitude of historical revisionism,with the help of the towel dance image on the stone(brick)of the Han Dynasty and the ancient literature records,so as to activate the reappearance of the Han portrait towel dance to a certain extent,so that the work can be as close to the historical original appearance as possible.The "Han Portrait towel Dance" of "remaking" and the complete"reappearance" of the towel Dance In essence,because the performance of towel dance itself is basically cut off on "vertical inheritance",the performance of"reproduction" of towel dance is almost impossible to complete,so the words "repeat"are used.The Chinese painting towel dance image is extracted from two-dimensional space to four-dimensional space so that it can be activated and presented intuitively on the stage.This kind of presentation must not only be based on historical materials,but also must be placed in the context of Chinese traditional culture.Only by deeply understanding,digging into Chinese traditional dance culture and merging it with the technology already mastered,can we explore new ways.It is not only a question of inheriting the traditional dance culture,but also the key of whether the Han portrait dance can obtain the rich creative source,to grasp the essential problem of reproducing the Han portrait dance,and to think about how to refine and develop the dance language,which is not only a question of inheriting the traditional dance culture.