Construction·Deconstruction·Reconstruction

As a comprehensive music literature art,modern and contemporary lyric,which is closely related to new poetry,has independent literary value in addition to the music value attached to songs.Especially since the 1980 s,the lyrics of rock and folk song have high literariness,and the literariness of pop lyric is also improving.Since the new century,the research on lyrics from literary circle has gradually increased,and some anthologies of literary works and anthologies of poems also include lyrics.However,the Literary History,as the canon,chose to ignore it except for a few books.Modern and contemporary lyrics and new poetry are the two veins of Chinese modern and contemporary poetry.Only when modern and contemporary lyrics enter the Literary History can they fully present the appearance of modern and contemporary poetry.Therefore,from the perspective of construction,this paper traces the status quo that lyrics integrated into Chinese Modern and Contemporary Literature History,analyzes and deconstructs a series of norms established,demonstrates the rationality of modern and contemporary lyrics integrated into literary history,and puts forward the idea of reconstructing the narration of lyrics in History of Modern and Contemporary Chinese Literature.The thesis is divided into three main parts: The first chapter analyzes the rejection of lyrics in Chinese Modern and Contemporary Literature History from the perspective of construction,and discusses the formation of the status quo that lyrics integrated into Chinese Modern and Contemporary Literature History from the perspectives of modern literature view,the establishment of Literary History,the political construction of Literary History,and the narrative norms of Literary History formed by the classics of Literary History.The second chapter focuses on the various factors that exclude lyrics from Literary History from the perspective of deconstruction,and analyzes a series of problems behind the narrative paradigm of Chinese Modern and Contemporary Literature History that rejects lyrics from the following aspects : the suppression of the discourse hegemony of the Literature History classics,the discourse colonization of western discipline classification system and literary concept in China,the changes in literary categories,and the narrative nature of the Literature History.The third chapter analyzes the origin and stylistic differences between modern and contemporary lyrics and new poetry from the perspective of reconstruction,proposes to establish a modern and contemporary Chinese poetry system that divides new poetry and lyrics,and proposes to reconstruct the narration of lyrics in Chinese Modern and Contemporary Literature History.It also summarizes the experience of reconstruction in history,and look forward to the future of lyrics based on the changes in the status of ancient lyrics.Through research,this paper finds something: There is a process in which lyrics have been classified from literature to music,and then wandering on the edge of literature.The narrative paradigm of Chinese Modern and Contemporary Literature History that rejects lyrics is not always the case,but there is a construction process,and there are a few cases that explicitly include lyrics beyond the paradigm.The modern and contemporary lyrics that are classified as literary should actually be classified as literature and enter the Literary History.Finally,this paper attempts to determine the position of modern and contemporary lyrics in Chinese modern and contemporary literature,and proposes to reconstruct the narration of lyrics in Chinese Modern and Contemporary Literature History,hoping to throw a brick to attract jade,to promote the modern and contemporary lyrics into the Literary History,so as to promote the study of lyrics,promote the creation level of lyrics,and cause rethinking and re-evaluation of poetry history and the development direction of new poetry.This paper also intends to take lyrics as an example to illustrate that literary ecology and literary theory are changing with each passing day and developing towards pluralism,the narration of Literary History should also keep up with the pace of change.