Research On The Restoration And Decoration Of "Liu Jia Wen Xuan" From The "Tianlu LinlAng" Collection Of The Qing Palace

"Tianlu Linlang" is an inner palace rare book room established by Emperor Qianlong of the Qing Dynasty.The collection is rich enough to surpass all dynasties.The form of decoration is known as the pinnacle of Chinese court collections in the feudal era.The books are of excellent quality so far,and they are the treasures of public and private collectors at home and abroad.However,the "Tianlu Linlang Bibliography(Part 2)" has an error rate of one-third of the editions of the collections,and two-thirds of the edition errors of the Song Book,which is much higher than all the ancient catalogs in history,and it is also quite criticized by future generations.In recent years,scholars have done much research on the editions of the "Tianlu Linlang" collection,and found that 95% of the books in the "Tianlu Linlang" edition were incorrectly described as Ming and Yuan rare editions.The predecessors of "Tianlu Linlang" restoration and decoration techniques have also been involved,but there is no comprehensive field investigation and research.In recent years,our mentor has led us to conduct a comprehensive field investigation on the restoration and decoration of the existing "Tianlu Linlang" collections at home and abroad based on previous studies,and found that the "post-compiled books" with incorrect descriptions have all been "handled"."That is to say,the clear version identification evidence such as the card mark,preface and postscript of the original book and periodicals that can prove its engraving era has been cut out or removed,and some have added or concealed the inscription,and some papers have even been dyed.The old,basically a collection of all the counterfeiting methods of books in Chinese history.As "Wenxuan" is a must-read masterpiece for literati,the Jiaqu Tang of Yuan’s Jiajing in Jiajing of the Ming Dynasty overwhelmed the typography of the"Liujia Wenxuan" in the Song Dynasty.The typeface was simple and the paper used was close to white cotton paper,and it became the target of "nosy person".This article examines the twelve parts of "Liu Jia Wen Xuan" recorded in"Tian Lu Lin Lang Bibliography(Part 2)".The first is to summarize the beautiful Qing palace decoration techniques of "Tian Lu Lin Lang",and summarize the decoration art and restoration techniques of ancient Chinese palace rare books.The intangible cultural heritage "Unique skill" provides a realistic reference for contemporary ancient book protection,decoration and restoration techniques.The repairing techniques of cut-out and patching are superb,and traces can be found only after careful inspection.The stained pages are also very lifelike.These techniques are worth learning.The second is to use the "Ancient Book Restoration and Fake Identification Method" proposed by the instructor to investigate the falsification technique of "Liu Jia Wen Xuan",retrieve the"disappeared" "Liu Jia Wen Xuan" version of identification evidence,and restore the "Tian Lu Lin Lang" collection.Jiajing Yuan’s Jiaqutang overthrows the original appearance of the Song Dynasty block-printed "Liu Jia Wen Xuan".The third is to reveal the falsification techniques of ancient books and their relationship with version appraisal by studying the facts such as the tampering and forgery of editions during the decoration and restoration of the "Tianlu Linlang"collection.The use of counterfeiting techniques in ancient books has caused them to lose their original content and caused secondary damage.It runs counter to our contemporary principle of "repair the old as the old" to protect ancient books,and the starting point of "counterfeiting" is even more undesirable.This article is divided into four chapters.Chapter One,"Tianlu Linlang" collection of books.Starting from the three aspects of "Tianlu Linlang" book collection,book-repairing organization,decoration art,and restoration technology,a comprehensive investigation was carried out.The second chapter is the investigation of the restoration and decoration of "Tianlu Linlang".Draw a sketch map of the questionnaire and circulation track of the "Liu Jia Wen Xuan" carved by Jiaqu Tang in Jiajing Ming Dynasty,and analyze the information obtained from the investigation and research of 13 collections.And give a detailed and in-depth elaboration with examples of the collection of books.The third chapter is the research on the counterfeiting techniques of "Liu Jia Wen Xuan".Summarize the various restoration techniques that existed in the Jiajing Jiaqutang in the Ming Dynasty,which was inscribed in the "Liu Jia Wen Xuan" engraved in the Song Dynasty,and reveal them from the perspective of ancient book protection.Chapter Four,"Tianlu Linlang" restoration and decoration enlightenment and practical application.This chapter summarizes the contribution and deficiencies of "Tianlu Linlang" restoration and decoration,and applies learnable techniques to my restoration practice.