Research On Aesthetic Connotation Of Luan Kai’s "Folk Song Neoclassical" Works

"Folk Song Neoclassic" is a brand-new style of national vocal music created by contemporary composer Luan Kai in years of exploration and practice.In recent years,"folk song neoclassical" works have continued to emerge.Many of these works have been incorporated into the vocal music collections of higher music schools and become repertoires for the teaching of music schools.Many works have been designated as entries in the national vocal competition.It has been widely loved and praised in the industry and abroad.This research is titled " Research on Aesthetic Connotation of Luan Kai’s ‘Folk Song Neoclassical’Works".The full text aims to conduct an in-depth study of Luan Kai’s "Folk Song Neoclassical" works through the concept of traditional Chinese music aesthetics and the music ontology.Singing and other aspects analyze the ontological aesthetic characteristics of "Folk Song Neoclassic" works separately,discuss the internal constituent factors and internal laws of the artistic beauty of "Folk Song Neoclassic" works in the "essential theory",and deeply summarize the aesthetic connotation of "Folk Song Neoclassic".This thesis is mainly divided into four parts.The introduction part summarizes the topic selection,research status and research methods of this thesis.The first chapter is the background introduction part,which briefly introduces Luan Kai’s personal creative growth experience and the three-level creative realm of "Folk Song Neoclassic" and "Folk Song Neoclassic".Chapter 2,Chapter 3,and Chapter 4 are the core parts of the article.The three-layer creative realm of "Folk Song Neoclassical" corresponds to the three-layer aesthetic realm,combined with the main body of music to explain one by one: the second chapter mainly focuses on the integration of lyrics and music.The natural beauty contained in the "Folk Song Neoclassical" works is to meet the basic requirements of the aesthetic realm of "nice".The fusion of song melody and lyrics,structural development and the fusion of lyrics structure make the words and music blend together,coordinate natural and regular development and derivation,and fully embody the natural beauty of "harmonious and moderate".This natural beauty is the basic prerequisite for the enjoyment of comfortable and pleasant beauty in the work,as well as the basic prerequisite for the work to express its expression,create artistic conception,and infect the listener.The third chapter discusses the creation of the artistic conception of "Folk Song Neoclassic" from the two aspects of lyrics and music(melody and accompaniment)."Folk Song Neoclassic" works through the poetic beauty and artistic conception of the blending of scenes,the poetic time and space of ancient rhyme and modern singing,the flowing and undulating melody lines and the interplay of piano accompaniment,arouse people’s imagination between the virtual and the reality,and draw people’s thoughts and emotions.Shaped the endless and long artistic conception of the song.Chapter 4 focuses on the ultimate achievement of the realm of "touch others" from the perspective of singing.All the beauty of the music itself must be finally presented in the singing.The beauty of life of "vivid and vivid" is in the uninterrupted flow of time,the undulating movement of phonology,the series of words and sentences,and the ingenious wandering of phonology.It is necessary to fully express the emotion and charm of the work in order to "touch others".From the whole to the details,the atmosphere,momentum,charm and emotion are indispensable.The fifth chapter is the enlightenment of this study."Folk Song Neoclassic" not only inherits Chinese traditional culture,but also the aesthetic connotation it conveys is the continuation of Chinese traditional music aesthetic thought.Good innovation should develop along the lines of tradition,and good inheritance should go deep into tradition and give full play to the role and appeal of "emotion".I hope that the author’s research can further deepen and enrich the theoretical connotation of "folk neoclassical",and give inspiration and reference to singers who also love "Folk Song Neoclassical".I also hope that this research can provide some inspiration for the inheritance and innovation of traditional music.Promote the development of "Folk Song Neoclassical" and more excellent national vocal music genres.