Research On The National Style And Color Expression Characteristics Of Contemporary Chinese Watercolor

The development of watercolor in China has shown strong vitality.In an open and mutually integrated cultural environment,how to enrich language forms and enrich national styles while taking into account their own artistic characteristics has become an academic "proposition" and new challenges for the development of watercolors today.This article is based on Chinese watercolor works,based on image analysis,combined with various factors such as the cultural background of different periods,the development of mainstream values and academic concepts,and the changes in international perspectives,to examine the national style characteristics and color performance characteristics of contemporary Chinese watercolor.This explores the long-term development of watercolor in China,hoping to help expand the research and development of Chinese watercolor.The full text focuses on the following five parts:The first chapter combs the development process of Chinese watercolor,summarizes the outstanding changes in the appearance of works at various stages of its development,and analyzes the key causes of the differences in styles in each period.The second chapter combines the "contemporary" watercolor works since the founding of the People’s Republic of China,aiming at the three development stages of "the integration of national spirit and the spirit of the times","the breakthrough of painting theme and formal language",and the deepening of artistic function and aesthetic essence.It outlines the "national style" characteristics of "social and contemporary","regional and inclusive","conservative and modern" in contemporary Chinese watercolor.The third chapter mainly explains the "influencing factors of the development of color expression" in Chinese watercolor and the internal logical relationship between national style and color expression.In examining the evolution of Chinese watercolor "color expression" from "scientific" to "philosophical" and "nationalization",the potential progressive logical relationship between "national style" and "color expression" is explored.The fourth chapter focuses on the changes in the various stages of the "color expression" of contemporary Chinese watercolor painting,combing and summarizing the color characteristics it presents.On the basis of grasping the characteristics of "color expression" in each stage,explore how the "color" of Chinese watercolor has a "national style" and a new "development path" for the language of watercolor itself.In the conclusion part,through the theoretical summary of "national style characteristics" and "color performance characteristics",it looks forward to the "new strategies" of contemporary Chinese watercolor for the development of "borders","international perspectives","traditional and modern forms".Chinese watercolor painters should adopt a tolerant attitude,learn from the excellent formal language of various art categories,and embed the "background color" of the Chinese nation for contemporary Chinese watercolor.At the same time,taking into account the challenge of "exploring a new position in the world’s art and cultural structure".This has also become a new approach to exploring "contemporary Chinese watercolor" in the new era.