The Aesthetic Study On The Acoustics Of Guzheng Traditional Music

The national performance in the 1950 s was an opportunity for better development of traditional Chinese culture.With the integration and communication of art and culture of different places,traditional music can also be better disseminated.In this study,while analyzing the different versions of the same Guzheng music in different time periods,it is found that there are significant differences in the conduction of different versions.The unique charm of traditional music is presented through the sound form.In this study,9 Guzheng traditional music were selected with two types of performance versions(the performance before the 1950 s and performances which are performed by modern and contemporary performers respectively.In total of 18 Guzheng music were selected.)This study uses empirical research and music analysis methods to discuss the differences between the two versions.Furthermore,it objectively reveals the style of phrase accent,pitch-class accent and other features.It also interprets the aesthetic feelings of these styles subjectively.This study has confirmed some theories about the symmetry of traditional Chinese music and the smooth fluctuation of the loudness of traditional Zheng music sentences,which are scattered in several literatures.It is proposed for the first time that the common feature of the two versions is the emphasis on Ⅵ tones in the Zhi Diao.This study hopes to play a supplementary role in the theory of Guzheng art and provide some theoretical references for the performance of Guzheng compositions in the future.