The Embodiment And Application Of Maqam’s Musical Elements And Playing Techniques In The Erhu Concerto Amanisha

Erhu,as a traditional musical instrument in China,has always been loved and respected by people.After hundreds of years of development,excellent Erhu works emerge in endlessly,and the creation of various Concertos has pushed Erhu art to a new peak.This not only depends on the creation and promotion of art masters such as Liu Tianhua,but also is inseparable from China’s traditional folk music.Only by relying on the continuous exchange and innovation of music in various regions,can Erhu performance art get better development and innovation,and carry on the corresponding innovation while inheriting the traditional ethnic music.In this paper,Xinjiang Muqam music elements as the main research object,while Erhu Concerto "amanisha" as a specific music research case,to explore the specific embodiment and application of the two in the combination process.In 2015,the Erhu Concerto "amanissa" was born.As soon as the work came out,it was sought after and loved by countless music lovers and won numerous honors and praise.Wang Danhong,the author of amanissa,combines Muqam music with the two,reflecting the local customs and artistic style of Xinjiang.I hope that through the research and analysis of this paper,I can improve my own music quality and music level to a certain extent.At the same time,I hope to provide a new idea for more music professionals and fans to learn from and integrate various ethnic music.