| Art has no national boundaries.With the continuous development of economic globalization,the demand for spiritual civilization is increasing day by day under the trend of continuous exchange and blending of art all over the world.Pay attention to the spiritual core of art works,so that as a traditional painting form of printmaking art attention."Chinese woodcut pictures,from Tang to Ming,have a very decent history." the culture of all nationalities is not lack of inclusiveness,with the change of historical form,attention and protection is the proper way to treat traditional art.Floating world painting is the most characteristic national art form in Japan.Through the interpretation of the traditional culture,this paper starts with the artistic and aesthetic characteristics contained in the Japanese floating world painting,and analyzes the printmaking works created by the author in the contemporary context by the influence of the relevant artistic characteristics of the floating world painting,such as title material,color,modeling and techniques.The introduction of the first part mainly expounds the research background and significance,the theoretical literature involved,the contents and methods of the research;the second part briefly describes the historical origin of printmaking and the general situation of Japanese floating world painting;the third part analyzes the art form and the main representative artists of floating world painting,and discusses the characteristics of floating world painting from three aspects: material selection,color expression and picture form,and enumerates the artists and their works related to it;The fourth part,from the point of view of personal creation,focuses on the creation form and the construction of personal language,and innovates on the basis of the inheritance of traditional elements.Combining the traditional spirit of Japanese painting with the subjective creative consciousness of contemporary printmaking,we should not lose tradition but also accord with the development and innovation of contemporary art. |