Decorative Pattern Of Majiayao Painted Pottery Of Formal Aesthetics

Painted pottery art is the treasure of Chinese primitive art.Majiayao painted pottery art has a unique style system and formal law,and it is the most wonderful representative of Chinese painted pottery art.At present,academic researches are mainly aimed at the entire primitive painted pottery system,and the research on the decorative patterns of the Majiayao culture painted pottery is not detailed enough.And in the research on the Majiayao painted pottery culture,it is generally focused on combing and summarizing the patterns,and its spiritual connotation.The exploration of the formal law contained in the Majiayao painted pottery decorative pattern is not complete.Based on the theoretical foundation of the formal aesthetic,this thesis attempts to study the formal language and law of the decorative patterns of Majiayao painted pottery,and analyzes its formal aesthetic,in order to enrich the perspective of the study of Majiayao culture and the vision of formal aesthetic.This thesis is divided into four chapters.The first chapter is the introduction,which mainly elaborates the research reasons,research purposes,research significance and research status of the subject,and proposes research methods and research ideas.The second chapter discusses the decorative characteristics of Majiayao decorative pattern by classifying the decorative pattern of Majiayao painted pottery and combing the historical development.The third chapter mainly analyzes the composition of the beauty of form in the decorative patterns of Majiayao painted pottery,and explores the relationship between the beauty of form and the beauty of content;summarizes the constituent elements of the beauty of form,discusses its formal expression techniques,and lists detailed case studies.Chapter 4,the analysis of the formal aesthetic of the decorative patterns of Majiayao painted pottery and thinking about its extension are also the innovative points of this research.Based on research,the author has discovered rhythmic,harmonious,and sublime of formal aesthetic.Explore the natural aesthetic and social aesthetic of the primitive period through the formal aesthetic,provide multidimensional thinking for the study of primitive aesthetics,and propose a new reference direction for modern aesthetics.