A Study Of The Popularity And Acceptance Of Jinju In Northern Shaanxi

As one of the typical representatives of Chinese Bangzi opera,Jinju^[1]plays an important role in the opera performance in northern China.It is not only popular in most parts of Shanxi Province,but also has a wide audience in Northern Shaanxi Province,Northwest Hebei Province,midwest Inner Mongolia.The spread of local opera across administrative regions gives birth to a new form of regional opera performance in China today-regional opera in different provinces.Jinju in Northern Shaanxi is one of the typical local operas in different provinces.Jinju art has become a part of the local culture of Northern Shaanxi It has been accepted by the people of Northern Shaanxi and has become a popular mainstream drama in Northern Shaanxi.This study combines cultural ecology,communication and other related theories,using literature research,field study and other research methods,analyzes the ways of transmission of Jinju in Northern Shaanxi and the reasons for the acceptance of Jinju in Northern Shaanxi.First,it expounds the ecological environment of opera culture in Northern Shaanxi and the time and space distribution of Jinju in Northern Shaanxi,In the history of Northern Shaanxi,the natural ecology was seriously damaged,the geographical environment was relatively closed,and the external communication was inconvenient.As a result,the inherent cultural and artistic state of the region was relatively perfect,the absorption of foreign culture is slow,and there is no evolution from local folk art to opera.Because Northern Shaanxi belongs to the Jin dialect area,the"tune"of Jinju can be accepted and liked by the masses in Northern Shaanxi.So around the end of the Qing Dynasty,Jinju from Jiaxian,Suide,Wubu and Qingjian along the Yellow River to Shenmu and Fugu,then to Yulin and Yan’an..Second,this paper introduces the Jinju repertoire and its spread in Northern Shaanxi.Its repertoire mainly consists of the old eight editions of Jinju（Da Jinzhi,Xia Hedong,San Guan Dian Shuai,Minggong Duan,Shuangguan Gao,Wo Hu Ling,Wang Baochuan,Jinshui Bridge）,which has the highest number of performances and frequency in Northern Shaanxi,However,new historical plays and new modern plays are rarely performed in Northern Shaanxi,mainly based on the adaptation of local folklore,fairy tales and the interpretation of model characters of the times.Third,this paper analyzes the diversified communication modes of Jinju in Northern Shaanxi.The main communication channels are temple fairs,folk rituals and event media.Since Jinju was introduced into northern Shaanxi,it was mainly performed in sacrificial temple fairs,festivals and rituals in Northern Shaanxi folk culture.After the founding of the People’s Republic of China,radio,pictorial,film and television have also become important means of communication.In the new century,Broadcast of TV opera column,Tiktok,Kwai and other new media live platform is popular,Build a whole media communication pattern.And with different specifications of sports activities to achieve integrated development.Fourth,this study discusses the reasons why Jinju is accepted by the people of Northern Shaanxi.Northern Shaanxi The main communication channels are temple fairs,folk rituals and event media belongs to Shanxi dialect area,its dialects and folk customs are similar to those of Shanxi.In different periods of history,the two places had immigration integration and frequent business exchanges,it promotes the communication between Northern Shaanxi and Shanxi core cultural area.With the guidance of policy and media,Jinju has been accepted by the people of Northern Shaanxi imperceptibly.After more than a hundred years of accumulation and development,the spread of Jinju in Northern Shaanxi,its artistic characteristics and cultural connotation constantly collide with the regional culture of Northern Shaanxi,and interact with each other.On the basis of retaining the original form of Jinju,it presents different regional opera culture,which is the cultural embodiment of the continuous development of regional opera.