A Study Of The Left Wing Writers Who Returned To Sichuan During The Anti Japanese War

At present,most academic researches on left-wing writers focus on left-wing writers as a whole,studying the organization of the Left League and studying the literary creation and activities of left-wing writers.However,from a geographical perspective,there are few studies on left-wing writers in Sichuan.Sichuan writers left Sichuan to study because of their dissatisfaction with feudal culture.They were in a period of social turmoil,and their learning and practical experience eventually make them use Marxism to guide their behavior,and firmly believe that China will follow the path of socialism.After the war between China and Japan,there were nine Sichuanese left-wing writers who returned to Sichuan.Their trajectories for their return to Sichuan were all from Eastern China to Central China and then to the southwestern inland.The trajectory of their return to Sichuan was roughly the same as that of Japanese aggression and the retreat of the party government.Returning to Sichuan left-wing writers stand on the basic position of Marxism,use Marxism to observe,analyze and solve problems.Their cultural activities and creations were also carried out under the guidance of Marxism.Compared with non-left-wing writers,the left-wing writers who returned to Sichuan had a left-wing literary concept in their literary creation,emphasized the propaganda function of literature,and had very clear political views.Compared with non-Sichuan writers,left-wing writers returning to Sichuan are more inclined to write about people and things they are familiar with,writing about life in Sichuan and the darkness of Sichuan?s rear area,with a strong Bashu color.After they returned to Sichuan,under the leadership of the Chinese Communist Party,they consolidated the cultural united front,united all forces,and achieved national liberation through the Chengdu Branch of the "Arts Association",the Third Hall,and the Cultural Work Committee.While they struggled with the nation,they persisted in class struggle and broke through the cultural autocracy of the Kuomintang government.Their literary purpose is to awaken the patriotic consciousness of the people and make them devote themselves to national liberation.At the same time,their literary creation also exposes the darkness in the rear of Sichuan,engages in class struggle,and satirizes the corrupt rule of the Kuomintang.Literary creation adheres to the creative principles of realism,writing familiar people and things,and shaping the image of typical social characters.They pursued the popularization of literature,portraying the social life of Bashu and showing the consciousness of Bashu through the Sichuan dialect and Longmenzhen narrative methods,with a strong Bashu regional color.During the Anti-Japanese War,the cultural activities and literary creations carried out by left-wing writers of Sichuan origin who returned to Sichuan in Sichuan awakened the consciousness of the people,consolidated the anti-Japanese national united front,and made great contributions to victory in the war of resistance and national liberation.Second,they engaged in class struggles,exposed the darkness of society,and promoted democratic movements and social development.Third,they demonstrated the unique folk customs of Sichuan and promoted the development of Sichuan culture.Their literary creation has the limitation of ignoring the artistry.However,we should look at this phenomenon in two parts.Under the war between China and Japan,we should understand the phenomenon that culture lacks artistry.