Research On The Composition Of Ink Painting In Freehand Character Creation

Chinese painting,as a unique form of painting in China,has developed for thousands of years.From line modeling to calligraphy to ink,this is a main line of the development of traditional painting,but with the change of times,its style is also more and more overlapping.Since the beginning of the 20 th century,China and the West have entered the upsurge of ideological exchange and cultural collision.Obviously,the self-denial of traditional art at that time and the urgent need for new ideas to change,the old ideas are no longer enough to support the current expression demand of freehand brushwork figure painting.Throughout history,compared with other categories,the traditional freehand figure painting has not been handed down so far and can be used for reference.It has almost stagnated after Liang Kai.After that,however,there were also influential painting masters such as Chen Lao Lian,Huang Shen and Ren Bonian.But almost the content and form of their works are far from our contemporary life scene.The development and breakthrough of today’s freehand brushwork figure painting is not enough and limited only by relying on the painting and painting theory of predecessors."Pen and ink should follow The Times" is the basis for every artistic creator to carry out artistic practice.In today’s interdisciplinary research gradually becomes the trend of development,in addition to a full understanding of their own.In addition to cultural connotation and artistic spirit,it requires us to study and research deeply and systematically other arts of the same era.This paper tries to explore the composition of ink painting in freehand brushwork figure painting,in the new era for the development and prospects of freehand brushwork figure put forward a new way of thinking and path.The first part of this paper summarizes the question and research methods,points out the necessity of the formation of ink painting,and then explains its research importance,to broaden the rational development of the structure and form of ink painting in the creation of freehand brushwork characters.The second part is the most significant part of the paper,which mainly adopts the method of example analysis.Firstly,the differences and basic concepts of "ink painting","composition" and "composition of ink painting" are briefly expounded.Again through the Lu Chen,Zhou Sicong,Li Boan,Chen Yuming analysis,find out the works,from the Angle of the composition analysis of the balance of ink in the form and form their creations and induce "by simple sketch","white black","break then made" three,further elaborated "ink" in the manifestation of freehand brushwork figure painting creation and operation as well as the importance.To understand how art creators in practice from the analysis and interpretation of "composition of ink painting" to the creation of freehand characters in the method of control and treatment.In the artistic practice of freehand brushwork figure painting,the importance of form composition is highlighted through the systematic analysis of the understanding,innovation and practical operation of form composition and the application of ink composition in the creation of freehand brushwork figure painting.The third part takes my own creation as an example to explain how to transform the original image from the collection of materials,and then use the concept of ink painting composition to guide the way of picture presentation,to analyze,summarize and explore the influence of ink painting composition on my own freehand figure painting creation.Through the study of the three basic forms of "simple and complex","knowing the white and guarding the black","breaking and then establishing".Expatiate,analyze the works of today’s freehand figure painters and get their own understanding of artistic practice,emphasize the important position of picture composition in the diversified development of current ink painting,and reconstruct our understanding of the creation of freehand figure painting.Based on the status quo of the development of the ink to practice method,based on the reality of the present life and their own true feelings,in improving their writing levels at the same time broaden the thought form of painting,in order to provide a new train of thought for creation of contemporary brushwork figure painting and create more conform to the spirit of the age there is kindness to be freehand brushwork figure painting works.