The Application Of Unique Aesthetic Feeling Of Ceramic Color Glaze Color In Decorative Painting

The consciousness of colour has been deeply rooted in the history of Chinese culture before it forms the subject of painting.It has long been given a special meaning besides the visual aesthetic and has gradually become one of the unique and meaningful artistic form languages of Chinese art.The colour of Ceramics,a colour used in arts and crafts,depends on splendid traditional colours,and has high artistic aesthetic value.Its beauty of harmony,vivid,nebulosity,and rheology,have created the brilliant achievements of ceramic art,and also provided inspiration and source for the painting art in the subtle interaction with each other.Under the background of the new era,exploring the inextricable links between the colour language in the excellent traditional culture and the contemporary decorative painting,inheriting the tradition,innovating and developing,will stimulate the new vitality of traditional Chinese colours and enrich the artistic language of decorative painting which has significant meanings.This article is to research the application in decorative painting of the unique beauty of the color of the glaze.Colour,as an important form language in decorative painting,has already been perfect theoretically and technically through the long-term artistic practice of Eastern and Western artists in modern times while there are few monographs on traditional Chinese colour in the field of pure flat visual painting.Therefore,this article not only studies the characteristic visual beauty of the color of ceramic,deeply learns the aesthetics,philosophy,expressive force of visual contained in the color of ceramic,but also analyses the application of it,as a form of traditional colors in contemporary decoration,based on observation of reality,and explains the personal understanding of art and thinking about nature and life through the creation of own decorative painting.This article contains the following chapters.The first chapter briefly describes the research background,the domestic and international current situation,and the research significance.The second chapter mainly discusses the relationship between traditional colors of glaze and traditional Chinese painting colors,and analyzes the visual characteristics and cultural connotations of these colors.The third chapter mainly compares the color of ceramics and the painting color in visual effects and aesthetic style,explores the similarities and differences between the color language of glaze and traditional painting,and discusses the application of the color language of glaze in painting from a historical perspective.The fourth chapter discusses how modern artists comprehensively use the beauty of glazing colour in their paintings from the current dimension.This part gives examples to illustrate the visual beauty of glazing colour and the expression of form language in painting creation.The fifth chapter,as the focus of the thesis,discusses how the author personally borrowed and innovated the artistic language of glazing colour in the creation of a decorative painting from two aspects of learning and practice.The last chapter is the conclusion part.At a time when the application and expression of colours in decorative painting is increasingly modern,studying the distinct visual beauty of colour of ceramic and its application in decorative painting,searching for the innate attributes of traditional Chinese colours,is not only a simple continuation of the past culture and art of a nation,but also provides more possibilities for the development of contemporary decorative painting containing Chinese characteristics in the future.