The Research On Painting Fu In The Ming Dynasty

Fu,as a unique ancient style of writing in China,has a vast range of articles and diverse categories and has been flourishing。 The title painting fu as a kind of art fu,has a long history。However,as a kind of painting literature,compared with the study of painting poems,the study of painting fu still needs to be perfected。Ming dynasty painting and fu have matured,the development of calligraphy and painting art is close,Ming Dynasty painting with its various sections,rich content and themes provide sufficient research materials,highlight its unique characteristics of The Times。 This paper intends to classify,summarize and conclude on the basis of "The general collection of Ci fu in the past dynasties",so as to fill the topic and draw the research blank of fu。This paper in addition to the introduction,a total of four chapters,the introduction of the main topic painting fu research status and significance,while the research object of this paper is defined,and the research method used in this paper is introduced。The first chapter summarizes the Ming dynasty theme painting fu creation background,theme painting fu involves cross disciplines,so deeply influenced by the development of the Ming Dynasty calligraphy and painting art,especially the Ming Dynasty literati painting popular,its "empty" characteristics affect theme painting fu style。 At the same time,the literati good Tibetan painting,reward to the title painting greatly promoted the creation of the title painting fu。The second chapter of Ming Dynasty theme painting fu ideological content,according to the painting theme will be Ming Dynasty theme painting fu is divided into landscape painting fu,flowers and birds moving plant painting fu,feasting and fishing painting fu,character portrait fu,painting and other five categories,summed up its content and the association of paintings。The first section is to depict the picture,praise the painting,this kind of title painting fu for the pure description of part of the landscape painting fu,flowers and birds moving plant painting fu,fu pen in fu,expressing the feelings of the painting;The second section explains the meaning of painting,expressing feelings,such a long length,focusing on the subjective feelings of fu,mostly for landscape painting fu。Ming dynasty literati painting development and prosperity,coupled with the natural landscape is not only expected to be feasible,but also can live can travel,so Ming Dynasty theme of landscape painting fu bears the tang dynasty fashion,has become the Ming Dynasty fu home to express their aspirations of the theme of choice;The third section comments the painting skill,clarifies the art principle。 Discussion on painting fu and other types of fu,such a few articles,mainly reflects the Ming dynasty literati painting level。The third chapter focuses on the space art of Ming Dynasty。 Painting theory and fu theory have long been linked。 Painting is space art,due to the conformation of objects,clustering characteristics of things,from a certain level is also space art。 In the first section,the integration of time and space is different from the stagnation of time and space in the picture。There is a sense of time in the narration of the spatial orientation of the theme painting,which constructs the literary space of the poet’s lyric expression。The second section is the choice of viewpoint。 When painters paint,they often use the scatterpoint perspective method to show the objective image correctly on the plane,so that they have a three-dimensional sense and a sense of distance and space。Title painting fu is also described from multiple angles,the viewpoint of fu has changed many times。Chapter four: The conversion of fu language to painting language。Fu and painting belong to different art fields,fu is language art,painting is plastic art。Painting presents static concreteness with line color,and fu language’s transformation to painting has the unique polysemy and extensibility of language。The first section analyzes the meaning of painting from a variety of senses to describe static pictures。The second section of painting with virtual realism,part of painting fu is not the use of concrete objects to describe the painting,but to non-existent,or visual invisible image to describe the real scene in the painting。In the third section,the writer describes the images outside the images in the picture through artistic creation。In addition,the motives of the paintings are different,so the paintings carry many meanings that did not exist originally。...