Investigation And Research On National Inheritors Of "Yanbei Shua Haier"

"Yan Bei Shua Haier " is a local opera which is active in Datong and its surrounding areas.It is also called "aecheng cavity" because of its unique singing style of "one character with many coughs".With its unique "back voice" tone and strong local flavor,it has been circulating in the land of northern Shanxi for a hundred years,and is a living fossil of art development in Yantong area of Northern Shanxi.In its long history of development,"Yan Bei Shua Haier " as an ancient drama mainly passed on orally and from teacher to apprentice,can flourish and develop again after being quiet for several times,which cannot be separated from the outstanding contributions of generations of inheritors.At present,there are two "Yan Bei Shua Haier",national intangible heritage representative people,10 city-level intangible heritage representative people,they are active in "Yan Bei Shua Haier "behind the scenes,calls a new era,is committed to "Yan Bei Shua Haier " inheritance innovation work,through Dai Tu troupe passes on technique,development,innovation plays,diversified publicity,such as inheritance way,For the"Yan Bei Shua Haier” mentoring work contribution.Along with the national emphasis on intangible cultural heritage protection work,and improving the social awareness of traditional opera culture,"Yan Bei Shua Haier" since 2006,when the application after the success of the first batch of state-level non-material cultural heritage,got the attention of the scholars from all walks of life,related research literature was also significantly increased,study the main aspects of historical origins,art ontology to explore different types and developing state.Among them,the research on inheritors lacks micro-research on "inheritors’ performance innovation of classic plays and the inheritance and development of new plays",and lacks follow-up research on "specific inheritance work of inheritors since the 18 th National Congress of the Communist Party of China".In conclusion,in this article,through interviews,field investigation,case analysis,such as research methods,with two "Yan Bei Shua Haier" national non genetic bearing Wang Binxiang,Xue Ruihong as the main research object,from the development situation,"Yan Bei Shua Haier" inheriting the charmer profiles,inheriting classic aria analysis,inheriting the art inheritance and the future planning of the four aspects of research,The emphasis is to reveal the inheritors’ artistic inheritance and innovation,and explore how the inheritors can better promote the inheritance of "Yan Bei Shua Haier" in the new era.The main research contents of this paper are as follows:"Overview of the Development of Yan Bei Shua Haier" summarizes the history,culture and artistic value of "Yan Bei Shua Haier" from four aspects:geographical and human factors,historical origin and development,and artistic characteristics and value,so as to establish knowledge background and theoretical basis for related research of inheritors."Profile Yan Bei Shua Haier inheriting the charmer" to "Yan Bei Shua Haier" five generations inheritance charmer spectrum,on the basis of summarizing since "Yan Bei Shua Haier" types and development,the typical performance artists and their inheritance,of two national intangible heritage representative Wang Binxiang,Xue Ruihong according to experience,to comb the singing and performing art characteristics,To establish an analytical framework and research perspective for micro-exploration of their artistic innovation and inheritance work."Inheriting classic aria analysis",select two heritage representative program "fan grave",new play "The Sound of the Pipa","The Magistrate of Buyi" as a specific case,the analysis of the play,music structure,performance style,on the basis of the two transmission in shaping the characters in the performance characteristics and innovation of the in-depth and detailed study,In order to show the two inheritors of "Yan Bei Shua Haier" horn,Sinian horn of the inheritance and development of the trade."Inheritance of art inheritance and the future planning",the author,according to two pass interview,their focus from compact Dai Tu troupe passes on technique,development,innovation plays,multi-form "Yan Bei Shua Haier" opera culture point of view,the research of two inheritance inheritance of work done in recent years,and record analyses the inheritance people are facing a dilemma and succession planning for the future.