A Study Of Female Images In Guan Hanqing’s Plays

Guan Hanqing’s plays have created many artistic images,among which the female images are unique.Through his plays,we can see through the vivid pictures of women’s survival and their struggle with fate in Yuan Dynasty.Reading Guan Hanqing’s existing eighteen plays,except that the three final plays,Guan Dawang’s Alone Going to the Single Knife Club,Weichi Gong’s Unilateral Capture of Chi and Guan Zhangshuang’s Dream of Going to West Shu,did not create female images.The remaining three final plays and twelve Dan Ben plays all took female roles as the main body,vividly showing a drama tha found a way out for women and got rid of the control of feudal class consciousness.Based on the study of female images in Guan Hanqing’s dramas,it is conducive to a more comprehensive,objective and rational view of the living conditions of women in Yuan Dynasty.The academic circles have continued to study Guan Hanqing,a unique drama writer,and formed a series of Guan plays.They all noticed that Guan Hanqing created a large number of Dan-Ben plays.At present,the research on the female images in Guan Hanqing’s plays mainly focuses on several popular Dan Ben plays.It is necessary to further study the overall view of the female artistic images in Guan Hanqing’s plays,and it is based on this that it is possible to systematically and integrally construct the female artistic images in Guan Hanqing’s plays,which is also the innovation of the research.On the basis of the drama text,this paper will continue to deepen the research on the female images of non-lead singers in Dan Ben’s drama and the female images in the last drama.On the basis of comprehensively combing the female images in Guan Hanqing’s dramas,this paper intends to discuss them from the following aspects: The introduction part introduces the topic background,research significance,research status,research methods,innovations and difficulties of the research on female images in Guan Hanqing’s dramas.The first chapter summarizes the overall situation of female images in Guan Hanqing’s dramas,and collates and counts the number of female images in Guan Hanqing’s dramas.This paper discusses the background of female images in the play from three dimensions: society,politics and culture,and discusses the composition characteristics of female images in Dan Ben’s play and the last one.The second chapter makes a classification study on the artistic images of women groups of different classes.The female artistic images in Guan Hanqing’s dramas can be roughly divided into the upper class female artistic images composed of wives and daughters of noble bureaucrats,the middle class female artistic images with a large number of households and the lower class female artistic images composed of handmaiden and advocating excellence.Based on Guan Hanqing’s living experience and the living conditions of women of different classes in historical materials,this paper analyzes the category characteristics of different female artistic images from their lyrics and actions,taking their class as a benchmark.The third chapter explains the far-reaching significance and value pursuit of female artistic images in Guan Hanqing’s dramas.In the process of creating drama,Guan Hanqing took ordinary citizens as the object of acceptance,breaking the traditional literati’s thinking mode of shaping female artistic images.Interpret the far-reaching significance of women’s artistic images under the influence of multiculturalism from the social significance,the significance of the times and the significance of women’s self-liberation.The female artistic images in Guan Hanqing’s drama highlights the essence of drama as a comprehensive art.By analyzing Guan Hanqing’s pursuit of artistic truth,humanistic care and aesthetic ideal,this paper shows Guan Hanqing’s value orientation of female artistic images in drama.