A Study On The Performance Of Works Ⅰ,Ⅲ,Ⅴ And Ⅵ Of Bartok’s Fourteen Piano Pieces

Bartok is one of the great national musicologists and pianists in the 20 th century.He has always been based on the soil of national music,absorbed excellent cultural achievements from all over the world,closely integrated Hungarian national music with western modern composition technology through his own piano art creation practice,created a personalized music creation path,and formed a unique music style.Created in 1908,Op.6 is a representative work of Bartok’s creative development period,with "milestone" significance.Among the 14 piano pieces,it is full of strong Hungarian national music style and the ingenious thinking of modern composition.In the music melody,it not only integrates the melody of folk songs in Slovakia and other places,but also presents a new music style by using modern composition techniques such as multi-mode,multi tonality and manual mode,among which I,III,V and VI are the most representative.In the research of this paper,the first part analyzes the creative background of Bartok and fourteen piano sketches;The second part analyzes the music structure of the four works;The third part analyzes the special techniques of the four works;The fourth part is the performance enlightenment of the four works.Through the detailed study of the above four parts,I hope to provide reference for other players and researchers,and can interpret this piano work more perfectly.