Zhaoyunlong "The Summer Without The Wind" Series Of Works Research

Zhao Yunlong’s "Windless Summer" series of works have made new breakthroughs in terms of artistic concept and ideological height,which has an impact on Chinese watercolor painting.Gardens are the scenery that can best express China’s understanding of art and philosophy.Zhao Yunlong uses Chinese mentality,Chinese culture understands that to paint Chinese watercolors is not to paint Chinese gardens with European shapes and European methods.Zhao Yunlong believes that sketching is a way of life for him.He emphasizes that painting should return to sketching at the scene of life.He advocates sketching,and more importantly,pays attention to the capture of the sense of the scene,and captures his unique color sensitivity from sketching.Because in Zhao Yunlong’s works,the "sense of presence" of sketching can be seen.His passion and love for nature is also the initial motivation for his watercolor painting.For him,nature is regarded as the foundation of art,and this foundation is constantly consolidated with the growth of his painting time.Zhao Yunlong’s expression of color,brush,structure and emotion in the creation process of the series "Summer without Wind" are all based on the emotional expression of light.In the watercolor works of the "Windless Summer" series,which are called on-site sketches,the color changes shown by the objects in the picture are the effect of the picture after his subjective exaggeration,strengthening and refining combination,because He has a deep understanding of the changes in natural light and color,so he can freely control the color and enhance the color distortion of the scene under strong light;Zhao Yunlong’s brush strokes are more inclined to the brush and ink of traditional Chinese painting,and every seemingly inadvertent stroke is in fact There are a lot of calculations in my heart,and every stroke has this in it.The seemingly trivial brushstrokes are the inflow of emotion.These things must not be taken away by one stroke.The rhythm is slowly revealed,and every stroke is There is a pen in it.In "Windless Summer",Zhao Yunlong described the warm climate and pure sunshine in the south from the perspective of a northerner living in a cold area.He made concessions so that the light would not be disturbed by any form and other things,leaving a kind of gentle force on the picture that belonged to him to the southern garden formed in the sun.