| How to grasp and interpret the relationship between music score text content and beyond music score text content?How to treat the consistency between the interpreter’s personality and the composer’s creative intention?By tracing the historical origin of philosophical hermeneutics and the interpretation concept of music performance,this paper puts forward these two contradictory clues and answers them.On this basis,combined with philosophical hermeneutics and music performance interpretation theory,this paper puts forward its own views and summarizes a set of guiding schemes.Taking the modern erhu piece with piano accompaniment version of the Erhu Rhapsody No.5-Paean as an example,it hopes to provide some inspiration for other interpretors to interpret modern erhu pieces or modern Chinese instrumental pieces. |