A Comparative Analysis Of Cui Shiguang’s Mountain Spring And Zhu Jianer’s Overture No.2 "running Water"

The traditional Chinese aesthetics is a cultural heritage worthy of inheritance and praise.Almost every musician puts the elegance and delicacy of the traditional Chinese aesthetics in his heart.Among them,the most representative propositions are "qi" and "rhyme".The distinctive case is Zhu Jianer.His music creation is based on folk melody.Music,on the technique of expression is varied,the most significant is to copy "empty,feeling,quiet,light",and combining with the technique of expression of traditional music,blend in "qi and rhyme" and penetration,the artful combination of both,can not only meet the aesthetic needs of the Chinese traditional culture,also can to further update and create music."Mountain Spring" is a piano work depicting the beauty of changing water flow in mountain spring created by the author with the beautiful landscape of Laoshan mountain as the creation motive,using national mode,harmony and imitating the performance techniques and effects of national Musical Instruments.Based on his experience in music and performance,in combination with the essence of Traditional Chinese culture wei Bao and based on traditional aesthetics,this article conducts a detailed and comprehensive research and summary of the comparative analysis of performance by Cui Shiguang and Zhu Jianer.When Zhu Jianer performs his works,he can always show the "qi and charm" incisive and vividly,while Cui Shiguang’s "mountain Spring" is also one of the examples to show the traditional aesthetic demand.The integration and connection between the two can better inherit and carry forward the charm of traditional Chinese music,at the same time dig out the essence of folk music that is not easy to be discovered by the outside world,and better grasp its related situation and thoughts.