| The enamel art works of court painting in the Qing Dynasty is the product of the development of ancient Chinese ceramic painting art to the peak,and it is also the perfect intersection of court art and overglaze color in the Qing Dynasty.Its emergence not only innovates the types and development of China’s ceramic technology,but also a sky high price art collection hard to find by many collectors and investors in the porcelain market at home and abroad.It has monopoly,luxury,non replicability and high market value.Because of its high production cost,high firing level and immortal artistic status,it is also aptly compared to "the queen of colored porcelain" and "the most luxurious art in the world".It can be seen that sorting out and summarizing the remaining enamel art works of Qing Dynasty palace painting and deeply exploring its rich painting art field can enrich the theoretical research on the enamel painting art of Qing Dynasty palace painting.This paper takes the enamel painting art works of the Qing Dynasty palace painting as the main research object,and focuses on the painting forms and painting techniques of the enamel decorative patterns of the Qing Dynasty palace painting around the representative works of the palace painting enamel abundant in the years of Kangxi,Yongzheng and Qianlong.This paper introduces the rise and related representative works of enamel art of court painting in the Qing Dynasty,and summarizes the remarkable characteristics of enamel ware in different stages of court painting in the Qing Dynasty.Secondly,the article focuses on exploring the diversified enamel painting forms of Qing Dynasty palace painting,and expounds and analyzes the enamel composition style,color characteristics,modeling characteristics and corresponding painting patterns of Qing Dynasty palace painting through specific illustrations.In terms of composition style,it analyzes the panoramic composition and full composition in enamel painting and the symmetrical composition style rarely seen in enamel painting;In terms of color characteristics,this paper summarizes the different color tendencies of enamel ware in court paintings in the years of Kangxi,Yongzheng and Qianlong;In terms of modeling characteristics,from the three aspects of color matching,pattern layout and painting theme,this paper classifies and analyzes the picture modeling forms of enamel ware in court painting in the Qing Dynasty,including sketch flower modeling,landscape figure modeling and Western figure modeling,and explores the artistic expression and spiritual connotation under different modeling forms;This paper summarizes the aesthetic characteristics of enamel painting in the Qing Dynasty,including the artistic style of enamel painting in the palace and animals one by one.The article focuses on the painting techniques in the enamel art works of court painting in the Qing Dynasty,and deeply analyzes the application of boneless painting,chapped dyeing,realistic painting and line painting in the enamel ware of court painting in the Qing Dynasty,this paper analyzes the influence of these techniques on the artistic level of enamel painting in the court painting of the Qing Dynasty.Compares the pen and ink techniques in the traditional paper painting of the Qing Dynasty with the pattern and shape of enamel objects,and then summarizes the pattern characteristics of enamel objects in the court painting of the Qing Dynasty and the artistic works with the meaning of traditional auspicious patterns,so as to explore the high artistic and technological level of Royal products in the court.The article further summarizes the artistic value and aesthetic interest of the enamel of the court painting in the Qing Dynasty,and then shows the unique position of the enamel art of the court painting in the Qing Dynasty.Finally,based on the good collection of enamel colored porcelain at the present stage,this paper analyzes its application and development prospects,and puts forward opinions and suggestions on the inheritance and development of enamel painting art. |