| With the tireless efforts of a generation of composers,Chinese piano works,after accumulation and precipitation,have blossomed into a unique brilliance.Chinese piano music culture has strong ethnic characteristics and regional characteristics.In ancient Chinese philosophy,"pneuma" is the most basic element of all things.Chinese piano works emphasize "spirit" and "bearing",which is also an important feature different from western piano music.Therefore,the understanding and interpretation of the musical cultural connotation of Chinese works requires not only skilled performance techniques and expressive force,but also a broad understanding of Chinese culture,including Chinese musical culture.Through consulting a large number of relevant literature to have a deep comprehending of Yao Henglu and his piano works,and according to the different creation techniques,creation style of the composer’s representative piano works to do a brief classification and sorting;Through the music ontology of this work,including musical form,harmony,melody and so on,and through the practice of playing,its rhythm,speed,strength,timbre,playing skills and other aspects of interpretation.Through the study of Jiaochengshan Variations,we have a deeper understanding of Mr.Yao Henglu’s creative style in the field of piano and a new insight into the performance of Chinese works.This work will be designed as one of the master’s graduation concert repertoire,in the comprehensive understanding of the work to further interpret the work.I hope to conduct more in-depth and systematic research in the field of piano in the future.in order to provide reference for relevant people in this field. |