On The "Image Color" Of Chinese Traditional Meticulous Painting ——Take The Painting Of Ramming Practice As An Example

Traditional Chinese brush painting has deep historical roots.From the Warring States to the Song Dynasty,brush painting gradually moved from infancy to maturity.By virtue of its self-contained painting language,brush painting has left a strong mark in the history of painting.As an important part of traditional Chinese brush painting,the traditional color system provided a deep foundation for the charm of brush painting.From the five elements and five colors to the Confucian and Taoist view of color,we can see that the ancients had a lot of research and exploration on color.As early as the Warring States period,the relationship between "meaning" and "image" was elaborated in China,and the color pattern of "imagery" was gradually derived from the coloring of paintings.This paper is based on the aesthetic art of "imaginative color" in traditional brush painting,starting from the development of traditional color concept,analyzing the expression forms of each period,and then using the paintings of Zhang Xuan,a brush painter of the Tang Dynasty,to demonstrate specifically from the background of painting,artistic charm,and the characteristic expression of "imaginative color".The detailed analysis is carried out from the aspects of painting background,artistic charm,and the characteristic performance of "imaginative color".Most of the colors in traditional Chinese brush painting are abstract and generalized color classifications,through the essential characteristics of color,and through the involvement of imaginative thinking,the colors are divided into categories.The color transformation of the painter’s ideal world is realized,creating the beauty of imaginative color that unifies imagination and reality.Nowadays,when we create,we should be based on tradition,fully absorb foreign experience,inject the spirit of the times,and keep pace with the times.