| The long history of Lingnan region has formed a diversified and open Lingnan culture.And the Lingnan traditional sculpture is a relatively well preserved art form at present with local characteristics and spiritual connotation derived from the development of Lingnan civilization.The Lingnan traditional sculpture is mainly used in the decoration of ancestral temples,temples and other traditional belief space.At the same time,it has extensive social influence,great compatibility and rich aesthetic taste.Today,the meaning of "public" is opposite to "private" and refers to all non-private affairs.However,there is a difference between the traditional Chinese concept of "public and private" and the modern concept.The traditional Chinese view of public and private is a confused relationship,and there is even a public meaning of "conscious".Its core is to solve the hierarchical relationship between different classes in ancient China.As a regional form of traditional folk art,the main content of this paper is whether Lingnan traditional sculpture has public nature and the root of its publicity,as an art form based on traditional Chinese folk beliefs such as clans and religions,it is widely used in public spaces such as ancestral halls and temples.After the test of the times,until today,the enthusiasm of the people to participate remains unchanged,and it is bound to have corresponding publicity characteristics.For this resaon,this topic will start from the Lingnan traditional sculpture itself,understanding the spiritual cultural implication and aesthetic value of Lingnan people and folk art by the culture and customs as the breakthrough point,then on this basis,to study the source of subject content and the influence on society about the Lingnan tradictional sculpture,through these research processes,and finally attempts to take the Chen Clan Academy as an example to analyze the common characteristics of the Lingnan traditional sculpture art publicity. |
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