The Body Underflow And Life Vision In Zhu Shanpo’s Novels

In the avant-garde "70" post-Guangxi writer Zhu Shanpo’s novel,"body" runs through its different periods of creation with a subtle stance that may not even be realized by the writer,becoming a keyword that cannot be ignored."Body" is not the purpose and destination of Zhu Shanpo’s writing,but it has always existed like an undercurrent,and with Zhu Shanpo’s creative consciousness changes from despair to cruelty,to sympathy and compassion,to poetic construction of ideals,it presents a different physical state.First of all,Zhu Shanpo’s crazy,silly,disabled and other "abnormal" bodies in his early and mid-term suffering writings are surrounded,toppled,and even extreme by the system of rational discourse,but he has great potential and productivity in despair.Secondly,in the constantly open grand narrative intention and life vision,the body’s historical practice is frequently frustrated,and the body falls into the vortex because it cannot obtain its own rights and cannot bear the historical responsibility.Finally,in the process of active interaction between the body’s undercurrent and the vision of life,Zhu Shanpo’s novels move towards the poetic ideal of the existence of the body and the expectation of the construction of the relationship between the body.The undercurrent of the body determines the life vision of Zhu Shanpo’s novels to cover the life capacity from the "unusual" body to the society,history,and national subject;the gradually open life horizon also in turn expands the undercurrent of the body,forming a vigorous dynamic construction force,This is the inner source of Zhu Shanpo’s novels from despair to compassion and ultimately to poetic construction.This article will take the body undercurrent as the core,and use the dynamic interaction between the body undercurrent and the life horizon that is constantly open to history as a clue to explore the status and effectiveness of "body" in Zhu Shanpo’s novel creation,and where to lead the writer’s creation.It contains the philosophy of life and ideal expectations of what kind of individual existence.The thesis will be divided into the following parts:The first part starts from the three keywords of body,potential,and productivity,and explores the physical potential and productivity behind the despair in Zhu Shanpo’s novels about crazy,silly,and disabled "abnormal" body.The crazy body controlled by mental illness,animal nature and instinctive desire actually contains the romantic atmosphere of truth suppressed in Foucault’s classical history of madness,and Zhu Shanpo’s ideal of exploring the body’s positive energy from despair.The dumb body gained the opportunity of self-talk and active choice in Zhu Shanpo’s novels,thus demonstrating the ability of interpretation and construction.The physical writing of physical incapacitation and organ damage impairs suffering and transcends suffering,and actually reflects the poetic and tortuous resistance and transcendental potential of Zhu Shanpo’s novels.Crazy,stupid,and crippled bodies with a tragic,metaphorical,ambiguous,and even poetic idealistic undercurrent have played a fundamental role in broadening the horizon of life in Zhu Shanpo’s novels.The second part starts from the three keywords of body,history and practicality,and explores the frustrated experience of the body practice of Zhu Shanpo’s novels in the constantly open horizon of life.The undercurrent of the body began to run and be blocked in the long river of history,and the body appeared as a ghost,duckweed and naked living state.The body in Zhu Shanpo’s novels is represented by the situation of group chaos and individual flutter on the side of political history.In the process of modernization,there is no place to stay,always hungry,and finally ran to death.In the war and after the war,he encountered life politics and became under power planning.Naked life.The frustration of the body’s practicality caused Zhu Shanpo’s novel to question the energy of the body and the practice itself,manifested as being sometimes positive and sometimes cold,sometimes poetic and sometimes deep and compassionate.The third part starts from the three keywords of body,existence,and motility,and explores Zhu Shanpo’s active examination and questioning of the body’s existence based on the interaction between the body’s undercurrent and the visual field of life,and finally moves towards the poetic ideal of the body’s existence.Zhu Shanpo’s novels romantically explore the possibility of physical existence in artistic intoxication and breakthrough absurdity,expect freedom and equality in the subjective body narrative,and complete the physical relationship in the self-preservation and bottom-up structural ideals of the body Poetic construction,pursuing the pure relationship between body and body with equal respect and sympathetic understanding.Zhu Shanpo’s novels are finally embraced by the philosophy of life under the traction of "body".Observing the novel from the perspective of the body’s underflow and the view of life and its interactive relationship is also the examination and respect of life from the perspective of man.This is exactly the responsibility of Zhu Shanpo as an intellectual for the individual existence and individual life.