Research On The Aesthetic Tendency Of Daily Life In Beijing Flavour Novels In The 1980s

As a concept,"Beijing flavour novels" appeared around 1982.In the 1930 s,most of Lao She’s works showed distinctive Beijing characteristics,which was regarded as the peak of "Beijing flavor" in the modern literature period.Therefore,Lao She was also regarded as the originator and founder of Beijing flavor novels.In the 1980 s,Beijing style novels gradually formed a cluster effect and received more attention,and laid a foundation for the diversified presentation of Beijing style novels in the 1990 s.The research object of this paper is "Beijing flavour novels of the 1980s",most of the works involved are medium and short stories’ s creation including Deng Youmei more representative of "the five","pipes",Chen jiangong’s "fun" and "treads the hutongs,9",Wang zeng-qi’s happiness in,"the autumn cloud to practice",Han shao-hua’s "luscinia calliope son","little housekeeper prequel",Liu Shaotang’s "accident","the green lane episode," Evelyn’s silly my uncle,I am a zero,Liu Jinyuan’s White Hair and Moat Without Wind and Waves,etc.Liu Xinwu’s Bell and Drum Tower and Wind Through Ears,Chen Jiangong and Zhao Dania’s Imperial City Root are the representatives of his full-length works,which focus on exploring the aesthetic tendency of daily life in Beijing novels of this period,and focuses on the exploration of the aesthetic tendency of daily life in the creation of Beijing style novels in this period.The introduction defines the concepts of Beijing flavor and Beijing flavor novel,sorts out the development of the concept of Beijing flavor and the research status of Beijing flavor novel,and clarifies the research characteristics and innovation of the topic,as well as the research methods.The main text is composed of the following five chapters:Chapter one discusses the context of the generation of Beijing novels in the 1980 s from the perspective of cultural matrix.The agglomeration of Beijing style novels in the1980 s was influenced by multiple factors.From the perspective of geographical environment,the charm of the ancient imperial city and the "new Beijing" in the process of modernization jointly created the generation of Beijing style novels in the 1980s;From the perspective of cultural environment,the gradual establishment of the writer’s position on local culture and the change of aesthetic logic of readers promoted the unremitting exploration of the daily context of "Beijing flavor".From the literature field,the literary context in the 80 s literature for rigid dogma of rectifying and literature as a whole "turning inward" makes Beijing flavour novels writing and at the same time the match,"cultural novel heat" to promote Beijing flavour novels in the 80 s to join the farewell revolution ideological trend of flood,by returning to tradition and to the daily form cluster type writing effect,Also the achievement of Beijing flavor writing unique regional cultural characteristics.The second chapter analyzes the writer’s aesthetic choice of "Beijing flavor" from the perspective of subject identity.Representative writers of Beijing style in the 1980 s mainly included Deng Youmei,Liu Xinwu,Chen Jiangong,etc.They were faced with anxiety in self-identification in the process of constructing their cultural identity.In the process of constructing their cultural identity,writers in the 1980 s were faced with the anxiety of self-identity.They had the dual identities of the shaper and the shaper of Beijing culture,and faced the conflict between reason and emotion in their creation,swinging back and forth between cultural criticism and cultural attachment.In the aesthetic choice of creation,writers choose the perspective of social culture,keep the concern for the people in the creation,adhere to the character of non-utility.In this period,the writers were relatively calm in mind,went into the study and went to daily life in their creation,expressing their response to the revolutionary trend of thought by means of nostalgia and seclusion,and embracing the daily life of ordinary citizens with a calm self-contained mentality.The writers’ subjective choice of Beijing flavor in the 1980 s gradually formed their school consciousness and group effect,and the aesthetic tendency of daily life in their works also made the Beijing flavor in their texts more distinctive.The third chapter analyzes the aesthetic construction of daily life and daily life of Beijing style novels in the 1980 s from the concrete text practice.In the aesthetic expression of the text,the writers pay attention to the daily presentation of the city life of Beijing citizens,including the description of the city life of Beijing citizens,the characteristics of Beijing and folk customs;In terms of aesthetic space construction,the writers jointly created a unique pattern of Beijing "social ecological community" in their works,including the creation of the original biological environment of Beijing flavor,such as courtyard houses,old scenes of the old capital and hutongs.In terms of the aesthetic style of the works,the Beijing-style novels on the whole show the artistic characteristics of "changing the vulgar to elegant",and the specific forms of presentation include the role of storytellers and recluses,the writing style of knowledge and the selection of the old Beijing characteristic language.Through the exploration of aesthetic expression,the construction of aesthetic space and the presentation of aesthetic style in the creation,the writers have completed the overall transformation of Beijing flavor text aesthetics towards daily life and opened up a new possibility for the aesthetic context in the 1980 s.The fourth chapter explores the spiritual direction behind the daily life aesthetic of Beijing novels and explores the feelings of the old capital and eastern philosophy that permeate the creation.Beijing flavour novels conveys ordinary citizens in the 80 s caused serious and abundance in everyday life: on the one hand,"leisure" and "to" the life experience of conveys a kind of intelligent broad-mindedness in old feelings,text in the daily life of aesthetic tendency sure to all the citizens of Beijing street culture spirit and the sunset song of quietly elegant emotional appeal;On the other hand,the citizen’s character of "contentment" and "constant happiness" permeates a kind of Oriental philosophy that ADAPTS to the changes of current affairs,and the text shows the ordinary personality and the mean thought of Beijing citizens.In this period,Beijing style novels grasped the opportunity of The Times.By describing the daily life of ordinary citizens,they explored the Oriental tradition and imperial characteristics in the spiritual direction of the text,and further provided spiritual and cultural guidance for the aesthetic tendency of daily life of the text.The fifth chapter sorts out the aesthetic value and limitation of Beijing flavor novels and carries on the cultural reflection to the 1980 s Beijing flavor novels and their aesthetic development.As the second generation in the transition of Beijing flavor between generations,the Beijing flavor novel writing in the 1980 s inherited the "Beijing flavor" writing represented by Lao She in the 1930 s and the "Beijing flavor" writing that flourished in multiple dimensions since the 1990 s.In the process of creation,it shows the selection of intellectuals’ personal stand and their grasp of the content and aesthetic tendency of daily life creation.From the perspective of the development of local aesthetic theory,the second generation of Beijing style novels conform to the change of aesthetic context from enlightenment discourse to daily discourse in the 1980 s,and the text as a whole presents the aesthetic tendency of daily life,which is based on the common discourse choice of times,society and individuals.Based on the intersection of tradition and modernity,Beijing novels in this period enlighten the present in a retrospective way,and together with many literary works based on the present,promote the daily transformation of aesthetic theory in the literary field in the 1980 s.The aesthetic tendency of daily life in the Beijing novels in the 1980 s also exposed some problems,such as the alienation of the contemporary background and the lack of new cultural factors.In this period,the Beijing writers’ creative vision was relatively narrow,and their praise of traditional content suppressed their critical thinking.In the process of describing the close life,the lack of modern vision leads to the generalization of "aesthetic" value.