Research On The Playing On The Edge Of The City ——On The Creation Of The Documentary "Grandma Spring Breeze"

In the documentary Grandma Spring Breeze,it tells the story about an ordinary and wonderful life of a 75-year-old Zhao Yingchun.Born in Qiqihar in 1946,she got married her husband who is 9 years older than her through someone else’s introduction and gave birth to three children.In her fifties,she came to Beijing from Qiqihar to take care of her aunt who was sick.The accordion has become the consolation of her monotonous life over the past more than 20 years of living in a foreign land,which brought her joy and confidence for life.At present,she doesn’t need to take care of the family and children,who can have free time.Therefore,the Grandma Spring Breeze is to record her short free time.The details of Grandma Zhao’s life are presented in the documentary to shape an optimistic and positive image of a woman with a hard life,which breaks the monotonous and lonely stereotype of marginalized groups of women,and gives them more rights to express themselves.In the meantime,the documentary shows the difficulties faced by the marginalized groups of women and the changes in their mentality under the environment of the times,which guides the audience to look at them from the perspective of ordinary people.In this thesis,the "marginalized groups of women" are taken as the main research object,and the elaboration is carried out by combining with the graduation work Grandma Spring Breeze.In the introduction part,the topic selection and topic significance of Grandma Spring Breeze are analyzed.In the first part,the definition of the marginalized groups of women and the group portrait of marginalized groups of women in the documentary are discussed by starting from the theory.In the second part,the video language construction of the documentary Grandma Spring Breeze on the marginalized groups of women is interpreted from the two aspects of visual language and auditory language.In the third part,the humanistic connotation expressed by the marginalized groups of women in the documentary is analyzed from the breakthrough of the marginalized female image on the screen and the reflection on the current social situation.