| Dunhuang scriptures have been used for reference for the Tang Dynasty since they were unearthed,and the scriptures in the Jin Dynasty have not received enough attention.However,the volume of the Jin Dynasty has its unique artistic value.Its rich form from clerical to regular script provides a new example for calligraphy creation,which not only provides a reliable reference for the hybridity of official and regular script,but also broadens the exploration space for the characteristic of regular script style.Therefore,the author from the Jin Dynasty Dunhuang scriptures official and regular script ink calligraphy form,specific analysis of its strokes form,structure posture,composition format.Firstly,this paper puts the Dunhuang scriptures of the Jin Dynasty in the specific historical environment,traces the source of the style of the Dunhuang scriptures of the Jin Dynasty by examining the identity of the writer,and then divides the style of the ink.Secondly,this paper discusses the calligraphy form and aesthetic characteristics of official and regular script in Dunhuang scriptures from the micro and macro aspects,and examines the calligraphers ’ reference to it since the early Republic of China,so as to provide a double reference for their own creative practice.Finally,on the basis of clarifying the principles of selecting methods in the Jin Dynasty,the characteristics of strokes and structural features are refined.Combined with the divergent practice of official scripts,the creation of large and small characters based on this tone is carried out. |