Research On Poetic Vision Of Jiangnan In The Context Of Contemporary Etchings

The topic of "Research on poetic vision of Jiangnan in the context of contemporary copperplate painting" is the result of combining its own creation and the research on regional visual culture.This paper takes the relationship between the visual language behind Jiangnan poetry and the context of contemporary copperplate painting as the research object.Through the analysis of the modernity of copperplate painting,the philosophy behind Jiangnan poetic culture and the visual language behind Jiangnan painting,this paper expounds the role of poetry,that is,the embodiment of sleeping Tour,and points out the influence of the visual language behind Jiangnan poetry on the inner philosophy.Firstly,the article arranges and discusses the location of the south of the Yangtze River and the performance and movement of culture in combination with historical books and articles,and discusses its embodiment in people and paintings in combination with the philosophy brought by the mentioned poetic culture of the south of the Yangtze River,and then discusses in detail the formal beauty and internal visual logic in the current creation.In terms of philosophy behind the poetic culture in the south of the Yangtze River,in the moist culture,"Pianan" means poetic philosophy.Holding the spirit of Jiangnan,passing on the inner God and expressing the ambition of objects and images.In people and paintings,there is a disclosure from the inside to the outside,which also breeds a batch of paintings in the context of contemporary copperplate painting.Itself is also deeply influenced by it,and has mutual creation.Many viewpoints of the article are also derived from practical creation.In terms of the visual language behind Jiangnan painting,it has always been a long-term derivative of culture.The visual language of traditional Chinese painting imperceptibly affects the role of painters in printmaking.The internal visual logic and the breath beauty of formal language integrate the visual language of Western painting,and the language of copper printmaking gives a new interpretation of poetry.In terms of poetry,i.e.sleeping tour,it is also an unrestrained spiritual tour with the help of painting.Through the imagination of paintings,self reflection,wandering in the painting,self appreciation or other views,you can use landscape language to explain the internal core,lie in it,and your thoughts float in it.It coincides with the experience of studying in the north as a southerner,which extends the problem of opposition.This problem has an important impact on both Chinese and western visual research,and still has the value of continuous exploration in Contemporary Chinese and western visual research.