People,Sound And Environment-The Soundscape And Performance Interpretation Of Zheng And Shakuhachi The Sea In Spring

The music The Sea in Spring is a representative work created by Miyagi Michio for Zheng and Shakuhachi,which has a high reputation in the world.Based on the soundscape theory,this paper discusses how Miyagi Michio’s music the sea of spring portrays the dynamic and static scenery of the seaside in Seto in spring by describing the soundscape.Through the analysis of the music,the author thinks that Miyagi Michio used the western composing technique to plan the sound landscape of the whole work "close range distant range close range",which embodies the three-stage composition principle;and with the help of the distance of sound,the contrast of timbre and the change of speed,it highlights the shape and color of sound,thus creating the classic music The sea in spring.The composer combines the silent score with the sound,the invisible music with the visible image.After the composer’s first creation and then the performer’s second creation,the music works in "time space" naturally become the flowing soundscape works.