Research On Zui Weng Cao

The zui Weng Cao studied in this paper refers to the CI style formed in the Northern Song Dynasty.It has gone through three stages: from piano music to piano poem zui Weng Yin,and then to the finalized CI style zui Weng Cao after Su Shi and others filled in words.The whole word has a total of 20 sentences,a total of 91 characters,18 rhymes and flat tones.Zuiwengcao is mainly written in the song and Qing Dynasties,and there are also a small number of creations in modern times.zui Weng Cao is a typical case of the combination of music and literature.It has CI significance,music connotation and cultural implication,which has important research value.The author has compiled 61 pieces of zui weng cao from all Song Poetry,all Qing Ci and various poetry collections.Through the interpretation of these 61 pieces of zui weng cao,the author has made a preliminary study of zuiwengcao from three aspects:First,it discusses the development process from the piano song zui Weng Yin to the tune zui Weng Cao,and makes a detailed analysis of the content and form characteristics of zui Weng Yin and zui Weng Cao in the Song Dynasty.From the time Ouyang Xiu wrote the story of the zui Weng Pavilion,got to know Shen Zun and created the song of the zui Weng,to the time when Su Shi filled in the words for the song at the request of Cui Xianzhi,the tone of the song was established.After the Song Dynasty,zui weng cao was basically created along Su Shi’s tone,and was obviously influenced by the times.In terms of creation quantity,it experienced the silence of the yuan and Ming Dynasties and the prosperity of the Qing Dynasty and modern times.Secondly,it classifies and analyzes the main contents and image characteristics of zui Weng Cao after the Song Dynasty.The zui Weng Cao after the Song Dynasty mostly describes the scholars’ reclusive life,character portraits,or landscape perception and thoughts.These four themes also reflect the living conditions of some scholars living in reclusive gardens or wandering in mountains and rivers.The images of Qin,moon and fairy are mostly used,which reflects the influence of Ouyang Xiu and zui Weng Yin on future generations.Third,it makes a comparative analysis of the zui Weng Cao and Qin Cao poetry,and explores the reasons for the differences.The two have similarities in the inheritance of music tradition and poetry Sao tradition,but they have their own characteristics in style,ideological content and cultural connotation: the words of zui Weng Cao are concise and popular,and the poetry of Qin Cao is elegant and upright;zui Weng Cao mostly describes the natural scenery in the mountains,and Qin Cao poetry mostly describes the ambition of patriotism and loyalty to the king;zui Weng Cao is mostly influenced by Taoism,and the wind of seclusion is obvious.Qin Cao poetry is mostly influenced by Confucianism,and the spirit of scholar bureaucrats is prominent.