Research On The Shape And Color Expression Of The Series Of Meticlous Figure Painting "The Past On The Prairie"

With the advancement of The Times,diverse cultures spread and influence each other in the world.China is also affected by the wind of artistic concepts and formal languages from all over the world,which have more or less influenced Chinese traditional art and opened up new development space for traditional art.In such an environment,contemporary meticulous figure painting has undergone great changes both in shape and color compared with the tradition.Contemporary fine brushwork figure painters often carry out independent practical research based on different artistic concepts,thus making the development trend of consciousness,painting techniques and formal language in their works towards personalized expression,and finally presenting diversified and rich pictures to the audience.How to absorb foreign art concepts and maintain the characteristics of local ethnic art,so as to achieve "inclusiveness,tracing the ancient and the new" has become the exploration goal of contemporary artists.This article through to chuan-zhen li,Wang Guanjun two representative figures from youth painting art analysis,interpret their creation concept,the formation of painting style,feeling their works convey delicate emotion and artistic conception,the background of how fine brushwork figure painting creation eclecticism,back to the ancient also "new" work tries to answer this question.And through the analysis of the modeling and color expression in the series of works "Once upon a Time on the Prairie",from several aspects such as the importance of sketching,the ink expression of modeling,the interesting expression of modeling,the subjective expression of color,the emotional expression of color,and so on,to show the dignified and elegant external beauty and the inner spirit of perseverance and openness of Mongolian women.