Old-fashioned New Sound

Zheng,the history of the qin zheng.However,"qin zheng",which had a glorious history,disappeared in shaanxi in modern times.In the 1950s,a large number of musical workers,represented by cao zheng and zhou yanjia,began to devote themselves to the development of "qin zheng revival".With the joint efforts of several generations of zheng musicians,the development context of shaanxi zheng gradually became clear,and shaanxi zheng school was recognized at home and abroad.In the development process of the qin zheng,the creation of zheng music with shaanxi folk music as the material is the main feature of the works of shaanxi zheng in the new era.Qu Yun focused on the exploration of xi’an drum music and the creation of zheng music.In her rich works,traditional musical elements are combined with zheng and literature,which not only inherits the xi ’an drum music,but also expands the new situation of guzheng performance,making the ancient tune continue to be inherited and developed in an innovative form.The author takes a series of zheng songs created by Qu Yun based on xi ’an drum music as the starting point of research,and analyzes how she inherits the tradition through creation and innovates on the basis of inheriting the tradition through the content,material,creation form and relationship with traditional music of her works.According to the type of the works,it is divided into two parts:first,guzheng music,which is a solo or duet composed from the materials of xi ’an drum music,with "man ting fang" as the main example for analysis.Second,guzheng song is a combination of guzheng performance,ancient poetry and xi ’an drum tunes.This part takes "mountain dwelling autumn twining" as an example to analyze and explain.In advocating the inheritance and development of China’s fine traditional culture,we should realize that the creation of culture can not copy the tradition,also can not create.Through the analysis and study of the gule zheng songs and zheng songs created by Qu Yun,the author believes that the success of these works lies in the harmony and unity between the xi ’an drum music tradition and the new content with a sense of The Times,so as to make the traditional music full of new vitality in the new era.At the same time,the success of these works also stems from the author’s love for traditional culture,as well as long-term practice and in-depth research.