The Image Of Turandot In The Opera "Turandot"

As a learner of vocal music,it is indispensable to study the role shaping in opera.Among many classical operas,turando is the only western opera written in the background of "China",which has aroused the author’s desire to study the role shaping in this opera.Puccini used the well-known jasmine flower as the theme of the role of turandot throughout the beginning and end of the opera.However,in previous studies,there were few materials to study the role of turandot alone,which is the original intention of stimulating the author to conduct in-depth research.This thesis takes the role of turandot in the opera turandot as the research object,and mainly studies the shaping of his dramatic literary image and musical image.The basic ideas of this paper are as follows: firstly,the author mainly analyzes the characteristics of the theme of puccini’s opera creation,the background and course of turandot,in order to find the antecedents and consequences of the composer’s role in turandot.Secondly,starting from the analysis of the image building of turando’s dramatic literature,this paper mainly makes an in-depth analysis of the princess image that is born of love--the image of indifference and indifference,the transformation from "hate" to "love",and the image of being influenced by love--the return of human nature.The purpose is to explore the image building of this role by the composer in the dramatic literature.Finally,starting from the analysis of the image building of turandot’s music,this paper mainly makes an in-depth analysis of the leading motive,aria and duet related to turandot,in order to explore the image building of this role of the composer in music.This paper mainly studied it through the collection of literature materials and watching of video materials,with the purpose of providing a document for vocal music learners to shape this role.The theoretical and practical significance is to make a contribution to the research on this role.The paper is divided into four chapters: the first chapter mainly introduces the purpose and significance of the research,the research status at home and abroad,the research path and method.The second chapter mainly analyzes the characteristics of puccini’s opera creation,the background and course of turando’s creation.In the partof the characteristics of turando’s creation,the author concludes that the understanding of turando’s role should focus on love and tragedy.In the part of creation background,it is concluded through in-depth analysis that turandot seems to be a romantic theme,but puccini’s treatment of him still belongs to the category of realism and the three main characters in the play are reflected in real life.Turandot is the reflection of his wife avina.Through in-depth analysis of the creation process,we can see puccini’s dramatic thinking on the role of turando and alfano’s use of puccini’s manuscript.The third chapter starts with the analysis of the script,mainly analyzes the reasons and performance of turandot’s hatred,the process of transformation and the specific image after transformation.The fourth chapter starts with the analysis of music,and mainly analyzes the musical techniques of the composer to create the image of turandot,such as the use of orchestra arrangement,the specific analysis of the speed,strength and melody direction.