See The Ideological Connotation Of Confucian "music" From The "Book Of Rites, Music"

Rites and music life is the "holy land" that Confucianism has always been dreaming about.The Confucian pursuit and thinking of rites and music life also reflects its survival expectation and ideal world.As a classic text of Confucian "music" culture,Rites and Music is not only a musical aesthetic work,but also an important philosophical literature.Its description and thinking of ritual and music life are relatively concentrated,and always plays an important role in shaping the national mind and guiding the cultural spirit.In order to analyze its ideological meaning,it should first understand the relationship between "ritual" and "music" in traditional culture,and then analyze the logical structure and philosophy of its concept,and then explain the three dimensions of Confucian "music" : the joy of ontology,the joy of emotion and the joy of life.Ontology music is the "music" at the ontology level,Its inner spirit of harmony and sequence,Transformation guidance in heaven and earth,Lay the foundation for world comprehension and accessibility,Has become the foundation of connecting and organizing the heaven and earth;The joy of emotion is that after the individual feels the joy of ontology,To show their own life state in the form of specific rites and music,reverence,the harmony of his own life body and the cosmic dimension to face and contact heaven and earth,society and life;The music of life is a direct and specific etiquette form,music and dance rituals,and related institutional instruments in the real world,This joy of life is internalized in connecting man to heaven and earth,It is a medium for people to feel the world and original with their true temperament.