Spatial Transformation In Dance Video Creation

Dance image is also called film dance,the birth of film technology and modern dance is at the end of the 19 th century,dance image has the particularity that is aimed at the capture of movement instantaneous time and the property of recording the picture quickly,for the human more accurate understanding of the human body movement provides a more considerable exploration.At this time,the dance image was born under such a background.In recent years,with the development of society,virtual modern industry/VR and other emerging industries have great potential for development,and are strongly supported by national policies.The demand in the information age is gradually expanding,the dance image’s characteristic lies in itself can surpass or fill the traditional dance the unitary,has provided the new mentality for the dance development.However,throughout the development of the space theory of dance image creation,the space practice is far greater than the theory research.The first chapter is introduction: the author found that “Space”endows dance images with practical significance in creation,but the domestic space theory research is less,the theoretical foundation is weak,to a certain extent,it will influence the expression category of dance image,induce all kinds of contradictions and problems,and directly affect the long-term development of dance image.In the second chapter,the transformation of dance image space is analyzed: firstly,the definition of physical space,mental space and spatial narrative theory is briefly expounded,this paper analyzes how to use this theory to perfect and process the function of dance image works.Secondly,the author focuses on the analysis of the psychological space theory,the dance image work “Wei”as an example,respectively,the choice of psychological space,director’s psychological space for the perspective analysis work.In the third chapter,the means of space conversion of dance images are analyzed.Firstly,some means of montage editing,such as sequence arrangement,Lens Group,crossover and juxtaposition,are briefly described.It should be noted that the method of sequence arrangement is only a single language expression in the field of existing materials,and its focus is only on the content structure that can be organized at hand,ignoring the ideographic problem of the video works,the director should be careful in the work,in the video works in a single application.The conclusion is that the use of montage technique in dance image provides infinite possibility and tension for space.Besides narration,montage plays an important role in the creation of dance images by providing other means of expression.The fourth chapter is the teaching case construction of dance image space conversion.The author takes the dance image work er ri Le Xun as an example,based on the theory of physical space,mental space and montage mentioned above,the context of teaching case is constructed,subject is condensed,details are selected and results are preset,the final conclusion is that students with strong perception are more likely to construct mental space.Among them,the construction of mental space can not be separated from the pre-matting of physical space and the training of “Perception”.