Study On The Artistic Characteristics Of Cizhou Kiln Colored Flower And Bird Patterns In The Song And Yuan Dynasties

Cizhou kiln ceramics,as an important component of ancient ceramic craftsmanship in China,have formed a unique artistic style and cultural connotation in the long process of development.As a folk kiln,they are highly humanistic and secular.The spiritual and aesthetic value of local culture contained in them is folk art and a culture with great potential for development.The main decorative theme of Cizhou kiln ceramics is "flowers and birds",reflecting people’s longing for a better life,expressing their hope and pursuit for good wishes,exploring the cultural connotation of flower and bird patterns in ceramic decoration,and further grasping the significance and value of ceramic art,in order to provide a theoretical basis for the further development and inheritance of Cizhou kiln ceramic color painting flower and bird patterns.The frequency of flower and bird patterns appearing in Cizhou Kiln is high,and they are also loved by people.With rich and mysterious forms of expression,they attract many artists to create.As a special symbol,flower and bird patterns can fully reflect the aspirations and psychological requirements of people in that era.These rich and varied flower and bird patterns are not only decorative art,but also symbols of the cultural spirit of the Chinese nation,Through social development and long-term practice,flower and bird patterns have emerged endlessly in the decoration of porcelain patterns.The aesthetic value they bring has long exceeded the scope of the patterns themselves.Therefore,flower and bird patterns have unique vitality and extensive practical application value.With the theme of "Research on the Artistic Features of the Painted Flower and Bird Patterns of Cizhou Kiln in the Song and Yuan Dynasties",this thesis comprehensively uses folklore,art,arts and crafts and other knowledge to explore and study the development context,connotation,decorative elements,aesthetic pursuit,spiritual connotation,and the inheritance and application value of flower and bird patterns in modern design of Cizhou Kiln in the Song and Yuan Dynasties,and seeks a rational path of cultural identity for the flower and bird patterns of Cizhou Kiln,At the same time,it provides more possibilities for inheriting the culture of Cizhou Kiln.