Study On The "Duke Lingyang Style" Shu Brocade In Tang Dynasty

This paper focuses on the "Duke Lingyang Style" of the Tang Dynasty Shu brocade,focuses on the three periods of "combination pattern","rolling grass pattern" and "floral medallion pattern" of this kind of patterns and the changes of patterns inside the patterns from animal pattern to flower and bird pattern,and holds that the "Duke Lingyang Style" of the Tang Dynasty Shu brocade is a special kind of Shu brocade in the Tang Dynasty.It reflects the integration of various ethnic groups traveling along the Silk Road with the local Chinese in medieval times,and finally gradually presents the trend of localization.The thesis is elaborated in three chapters.The first chapter reviews the progress of Shu brocade in technology,pattern and weaving from the Warring States to the Tang Dynasty.The second chapter firstly states the life related issues of the promoter He Chou and the founder Dou Shilun,analyzes the meaning of the name of "Duke Lingyang Style",and then focuses on the three periods of Shu brocade clusters of Duke Lingyang Style.In the third chapter,the spread of Shu brocade in the Tang Dynasty is discussed mainly by focusing on the four major fabric fields on the Henan Road and Hexi Road of the Silk Road,as well as the "Duke Lingyang Style" Shu brocade of Shoakura Courtyard and Horyuji Temple in Japan.Through the above research,on the one hand,we can intuitively feel the collision of different civilizations through the patterns,and even explore the social atmosphere,religious belief,culture and spiritual power at that time.On the other hand,there is an inherent law in the changes of images,which means that its changes are not rigid imitation,but the embodiment of "artistic characteristics".