Three Keywords In Zhang Wei’s Novel Creation

Zhang Wei considers himself a moral adherent in the contemporary literary world.He maintains a vigilant attitude towards modernity and explores the roots of traditional cultural thoughts.His novels revolve around the bloodline and inheritance spirit of the family writing history,sympathizing and caring for the victims;using the wilderness to write the ideal field of the wilderness and the plateau,recording the ecological homeland destroyed by modern civilization;also expressing traditional culture and ideological beliefs with fables Crisis awareness is used to allude to real life.The author starts with the three key words of family,wilderness,and fable in the title of Zhang Wei’s works,using morality and criticism as the key words,and based on the background of traditional culture,to explore the constant interest in Zhang Wei’s novels.The introduction briefly explains the problem raised,the research status and the research ideas of the three keywords.The first chapter takes "family" as the key word.Focusing on the family,it presents the two major themes of reflecting on the history of suffering and the spirit of inheriting blood.The writer focuses on writing the families of suffering that have been hidden in the history,including families that have become losers in the political revolution.In order to guard against the recurrence of suffering,the family The narrative presents the characteristics of repetitive writing.In addition to relying on direct inheritance methods,"bloodline" can also be classified as a material mechanism that maintains family survival and identity.When bloodline is linked to political revolution,it presents political characteristics.The connection between bloodline and morality shows the distinction between good and evil.Continuing the spiritual culture of the Laiyi ethnic group.In the relationship between the characters in the family,the father image is both defeated and loyal.It is derived from the author’s traumatic experience.The mother image is kind and worthy of mercy,forming a "female-motherhood" reciprocal relationship.The children in the family became believers in the family philosophy,showing a strong spirit of "martyrdom",but they also formed a situation where it was impossible to implement the family spirit.The wanderer who walks out of the family is personally a manifestation of avoiding pain,being independent,and wanting to abandon one’s own identity.It is also a manifestation of finding the meaning and value of life,self-salvation,and expressing feelings of repentance.As far as the group is concerned,the wanderers who walk out of the family refer to the special family group of homeless people.The second chapter takes "wilderness" as the key word.What the wilderness presents is a symbolic environment,not only a natural wilderness scene,but also a plateau referred to by symbols.As far as the wild land is concerned,the natural phenomena in the wild land are connected to the clues of human development,have a free and peaceful atmosphere of comfort,and also have the essence of geology.As far as the plateau is concerned,the old place is regarded as a path to the plateau.The plateau also refers to the distant west and the utopia in the heart.The plateau is the height of moral and moral excellence.The protagonist yearns for a wilderness that has not been invaded by the secular world,which is manifested as a cycle of "escape and search",leaving from the homeland and looking for the homeland,leaving the city and looking for the wild land,and later generations look for the belief in escape from Xu Fu’s east crossing,and form no escape.The paradox of escape.The writer compares the wilderness in childhood memories with the present,and describes the wilderness environment in a dynamic change,so as to give play to the memory supporting function of the wilderness.The wilderness in childhood is a place where childlike innocence and poetic coexist,but today’s wilderness contains a strong sense of ecological distress,recording the Jiaodong territories destroyed by modern civilization,the geographical space that carries history and culture,and the ecological region where humans live together.The third chapter takes "fable" as the key word.The writer described the imagery and story with the technique of "intentional pen first".The allegory style is expressed in the figurative aspect of animal humanity.The nickname after the animal contains comments on character and morality.The "good-evil" reference reveals the critical and allegorical relationship that humans are inferior to animals,and animality points to the most primitive Desires and the alienated reality of people in the age.The allegory style is also expressed in the meaning of national culture.It not only uses the spiritual pedigree of the people born in the 1950 s to connect with the historical transition,but also shows the dialectical problems of life and death of destruction and rejuvenation facing the nation.It also shows traditional culture in the conflict between Chinese and Western cultures.The declining modern fable.The fable is also embodied in the illusory plot and reflection structure.The illusory plot reflects the situation of internal psychology and external world affairs,exposing the symbolic mechanism of psychological struggle,and fusion of ghost legends and the status quo of prosperity through exaggerated stories.The absurdity of modern life.The reflection structure not only breaks the traditional linear thinking of time sequence in time,but also uses folk cultural resources to confirm it in space,making the prototype have another layer of historical "realness".The fourth chapter summarizes the significance of Zhang Wei’s novel creation.The significance of novel creation is reflected in three aspects.First,it breaks the narrow boundaries of traditional families,enriches the interpretation of the family,breaks the single blood relationship,and raises the blood line to the level of spiritual identity.The family is formed in the historical background.The coming connection extends the breadth of history.It also enriches the image of reflectors in the history of literature,and pays attention to the neglected group of homeless people in modern society,which has social historical significance.Secondly,the wilderness environment not only continues the tradition of poetry and transcends the traditional geographical definition,but also gives the wilderness plateau a symbol of spiritual substance.The wilderness depicted from the geological level shows a three-dimensional and solid environmental modality,which enriches the geographical and historical records of the Jiaodong land.The wilderness is also a reference to cultural and ecological nature,making the recorded wilderness contain cultural heritage and ecological protection significance.Finally,the allegory style is formed in the relationship between reflection and contrast,which not only reflects the style characteristics of using animals to allude humanity,but also re-examines the logical relationship between humans and animals,so that allegories present the characteristics of moral spirit.It also explored various archetype structures from Qi culture,and used archetype stories to mutually corroborate the modern society,making the allegory have a satirical and critical nature.Concluding remarks further thoughts on Zhang Wei’s novel creation.