The Development Of Medieval Literary Creation Theory:From "Wen Xin Diao Long" To "Weniing Mifu Lun"

This paper takes "Wen Xin Diao Long" and "Wenjing Mifu Lun" as an important perspective to discuss the evolution of literary creation from Qi-Liang to mid-Tang Dynasty,and makes an analysis and study of the two books from four perspectives: the view of literary quality,the theory of style,the theory of style and temperament.In the text part,the author first analyzes Liu Xie’s Own Confucian literary and artistic thoughts,and then discusses the characteristics of the following quality relations under the guidance of Confucian thoughts,such as "Sentiment" and "Quan Fu".Then it discusses the change of the tendency of "quality over literature" from Qi Liang to Tang Dynasty from ten Body,Seventeen Potential and Paper Meaning in "Wenjing Mifu Lun".Finally,the author makes an analysis and conjecture on the causes of this change,and puts forward that this change is related to the change of literary environment and literary theory from Qi Liang to Tang Dynasty,as well as the actual needs of Konghai to teach Japanese students to write poetry.In the third chapter,the author starts from two aspects of style theory and style theory to discuss the weakening of the function of enlightenment and satire emphasized by Confucian literary and art concepts from The Qi and Liang Dynasties to the middle Tang Dynasty,as well as the attention to formal beauty presented in "Wenjing Mifu Lun".In the fourth chapter,the author pays attention to that,with the improvement of the theory of rhythm since Qi liang,rhythm has become a factor that must be considered in the layout and creation of works.In the author’s opinion,it is because of the general environment of emphasizing rhythm since Qi liang dynasty and the gradual perfection of rhythm style,coupled with the actual needs of Konghai shingon teaching,that "Wenjing Mifu Lun" has more characteristics of paying attention to rhythm.