Research On Qin Enfu’s Ci

This paper takes Qin Enfu and his Ci as the object of study,clears up his life experiences and communication,and conducts a systematic study of Qin Enfu and his Ci on the basis of knowing people and discussing the world.The first chapter focus on Qin Enfu’s life,contacts and writings to provide a basis for the study of his Ci.The biography is mainly based on the records of Qingshi Liezhuan and Beizhuanji Bu,which outline his main experiences in life;the communication situation is mainly based on his inscriptions and rewards to find clues,and is divided into three categories: collation fellows,poetry fellows,and Yangzhou school scholars,from which the closest friends are selected for detailed examination;the writings are divided into self-authored,carved and participated in the compilation of the series.The second chapter takes Qin Enfu’s Xiangzhou Ci as the research object and is divided into several topics for discussion.Firstly,distinguish the relationship between the two collections of Ci Xiangzhou Ci and Haicang’an Ci,and by comparing their differences in versions,included works,and texts,we can see the changes in their creative content and concepts.Secondly,from the perspectives of "ci concealment" and ci art,study the main ideological content and artistic characteristics of Qin Enfu’s Ci: on the one hand,Qin Enfu called himself " ci yin old man",so he uses "ci yin" as an entry point to explore the hidden meaning behind it and its manifestation in his compositions;on the other hand,it highlights the " scholar’s ci " characteristic of strict in sound and rhythm in Qin Enfu’s ci creation.The third chapter takes the "Cixue Series" engraved by Qin Enfu as a breakthrough point to systematically analyze Qin Enfu’s thoughts on Ci and explore its relationship with the Zhexi Ci School.Firstly,with the "Cixue Series" as the center,it examines the prefaces,postscripts,revisions and comments made by him,as well as the prefaces,postscripts and evaluations made by others,and reveals his thoughts of Ci: advocating "yazheng",attaching importance to tone,constructing "Cixue".Secondly,observe the formation of Qin Enfu’s thoughts on Ci in the context of Jiaqing and Daoguang Ci circle,so as to clarify the relationship between Qin Enfu’s thoughts on Ci and the Zhexi Ci School.He not only inherited the ideas of the Zhexi Ci School,but also was able to transfer from one teacher to another,without dominating one,and formed a style of Ci with individual characteristics.His theory of Ci pioneered the Wuzhong Ci School,and in some concepts he was also consistent with the Changzhou Ci School,showing the situation of the Ci world at the time of the transfer of Zhexi to Changzhou.Appendix I is a compendium of Qin Enfu’s chronology,which chronicles Qin Enfu’s life and experiences based on available information.However,due to the lack of information,it is difficult to show the creation process of his Ci in detail.Appendix II is a collection of 54 Ci that were collected in the engraved version of " Xiangzhou Ci " but not in the posthumous version of " Haicang’an Ci ",and is included here to complete Qin Enfu’s Ci.Appendix III is the collection works of Qin Enfu,"Xiangzhou Jingshe Wenji",compiled from the five unpublished manuscripts of Jiangdu Qin’s Shiyanzhai in the Nanjing Library.