The Study On Ghost Narration In Tang Tang’s (汤汤) Fairy Tales

In recent years,as a rising star in the field of Chinese children’s literature,Tang Tang’s(汤汤)brilliance and charm are increasing day by day.She has not only won the National Outstanding Children’s Literature Award for three times,but also entered the field of vision of the International Hans Christian Andersen Prize jury,and has been widely concerned by the academic community at home and abroad.Her works pioneered"ghost fairy tales"and created unique images of good ghosts and ghosts,leading children’s world outlook and outlook on life in their growth.However,more research of ghosts in the Tang Tang’s(汤汤)fairy tale narrative pay attention to its aesthetic value and reality concern.There is a lack of analysis of Tang Tang’s(汤汤)ghost narrative and Chinese traditional ghost narrative.Only by studies the correlation between the two,can we find out what influence the traditional ghost narrative has on Tang Tang’s(汤汤)creation,so as to understand the innovative ideological connotation that Tang Tang(汤汤)wants to express in the inheritance and development of traditional ghost narrative.Therefore,this article starting from the comb of traditional Chinese ghost narrative,takes ghost narrative in Tang Tang’s(汤汤)fairy tales as the research object,compares the similarities and differences of ghost narrative in Tang Tang(汤汤)and Liaozhaizhiyi(《聊斋志异》),and explores the innovation of Tang Tang’s(汤汤)ghost narrative.The first chapter briefly reviews the origin and development of ghost narration at home and abroad,focuses on the characteristics and changes of The Times of Chinese traditional ghost narration,finds the origin of Chinese traditional ghost narration inherited by Tang Tang’s(汤汤)ghost narration,and determines the influence of Liaozhaizhiyi(《聊斋志异》)on Tang Tang’s(汤汤)creation.The second chapter from the narrative structure and narrative space of the Tang Tang’s(汤汤)ghost research analysis,sum up out of Tang Tang’s(汤汤)fairy tale"adventure type""penetration type"and"Liuanhuaming(柳暗花明)type"the characteristics of three kinds of narrative structure,from two dimensions of reality and the dreamland,unscramble Tang Tang’s(汤汤)space for humans and ghosts space two different writing of the space,to reveals its artistic skills and unique charm in the control and expression of narrative space.The third chapter compares the similarities and differences in the ghost images and themes between Tang Tang(汤汤)and Liaozhaizhiyi(《聊斋志异》).On the one hand,using traditional ghost narrative for the division of a ghost image of the Liaozhaizhiyi(《聊斋志异》)and Tang Tang’s(汤汤)fairy tale in the ghost image analysis,on the other hand to explore social background effects lead to the two shows similarities and differences in the subject of the works.It is concluded that Tang Tang’s(汤汤)ghost narrative mainly accepts the blood inheritance of ghost narrative tradition of Liaozhaizhiyi(《聊斋志异》),but the theme has evolved because of the historical background,which highlights Tang Tang’s(汤汤)creative idea of pursuing human warmth and returning to traditional nature.She redefined and expounds the ghost image,gives a ghost to angel souls,aims to lead children to grow,deep understanding of human nature to form a correct concept of life and saving their feelings.Under the impact of the material desire of the current market economy,social ethics and morals are in urgent need of reconstruction,her successful exploration has positive and far-reaching realistic significance.