The Study On The Spatial Narration Of Zhu Shanpo’s Novels

Zhu shanpo is a writer with strong spatial thinking.In recent ten years,the domestic theoretical research on spatial narration has gradually attracted attention in the academic circles,which opens a novel and reasonable entry point for the research of Zhu shanpo’s novels.The concept of "space" in this thesis is mainly based on the theories of Lefebvre,Frank and Foucault.It refers to the complex of material space(materiality)and social space(sociality).On this basis,it makes a detailed analysis with the help of the theories of Bakhtin and Bashra,etc.First of all,based on the frequently occurring space in the text,the existence types and metaphors of three spatial narratives,namely power space,urban and rural space and spiritual space,can be concluded from the social,physical and spiritual dimensions.In the power space,we can see the contradictions and conflicts between political structure,power relations,social relations and different classes.In the urban and rural space,you can see "Mi Zhuang","Gaozhou" and "Egg Town" with the unique personal temperament of Zhu Hillside and the full "new South" atmosphere of the space picture.At the same time,with the process of modernization,we can see the dynamic process of rural and urban from opposition to interlocking.In the spiritual space,we can see the production of "heterotopia" on the abstract spiritual level.They metaphorically represent a set of specific social relations,cultural values,habits of thinking and emotional structures that dynamically participate in the narrative process.Secondly,on the basis of the above three spatial types,the most typical three small Spaces are subdivided and selected,namely "storm field","house" and "road type" space,and the relationship between narrative and characterization is analyzed.It can be seen that zhu shanshan’s spatial narration plays a prominent role in character-building,which is actually imbued with his reenchantment of the real life in the era of great changes.Starting from the three different states of the "storm field" space,the lives of the "little people" at the bottom are incisively and vividly written and displayed.Looking back at the "home" that can not be returned,the image of lonely and lonely wanderer who wants to realize identity transformation but can not jump out on the paper;The perseverance of the father,who constantly confronts the unpredictability in the "road" space,is highlighted in the absurd narrative.Finally,the author analyzes the three types of spatial narration and the formal techniques used by Zhu Shanpo to shape characters.It is mainly investigated from two dimensions: the technical treatment of spatio-temporal relations,and the structural way of space itself.Specifically,it is the application of three techniques: the spatialization of time,the spatial juxtaposition of cutting off the flow of events,and the space structure of "Chinese box" nesting.In general,Zhu Shanpo’s spatial narration contains profound social criticism consciousness and profound humanistic concern.Therefore,to study the spatial narration of Zhu Shanpo’s novels is actually to study his exploration and concern for real life,social problems and human living conditions.